Before seeing Johnny Depp as John Dillinger in Michael Mann’s new crime film Public Enemies, we decided to check out an earlier portrayal of the infamous bank robber, Lawrence Tierney in Dillinger. The 1945 picture is a bit disappointing in terms of bank jobs, which are mostly shown in quick succession during a montage. There is one interesting robbery, but technically it’s an armored truck heist (also, having been shot by Fritz Lang for an earlier film, the scene doesn’t quite fit the rest of the movie). From what we hear, the robberies in Public Enemies aren’t that much more memorable, even if they do resemble an MGM musical, which is a shame considering how clever the real Dillinger was.
We definitely prefer a clever criminal and a clever plan when it comes to bank robber movies. Otherwise it’s just yet another taut thriller or slapstick comedy involving a tunnel dig from the bakery/bathhouse/chicken restaurant/luggage store/etc. next door. So we’ve come up with ten favorite bank jobs that involve originality and a successful getaway (a plan isn’t that clever if it doesn’t work). There have been hundreds of bank robberies throughout film history so if we’ve forgotten something really clever, inform/remind us of the movie in the comments. We’ve purposefully excluded armed vehicle, stagecoach and train robberies, though, so stick specifically to internal bank jobs.
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Since we were kids, we knew the taxman was a bad guy. If we didn’t get the message from the lyrics of The Beatles, or the wolfish version of the Sheriff of Nottingham in Disney’s Robin Hood, then we learned through the very real anguish our parents suffered every year, mid-April. As we grew up, we likely heard comedians joke about the IRS, and every character but Jesus appeared to be unforgiving of any person who’d take a job in tax collection. Occasionally we’d see iconic IRS agents, such as the one Charles Lane plays in Capra’s film of You Can’t Take it With You, but even when memorable and enjoyable, they are still mostly identifiably villains. In Abbas Kiarostami’s first film, The Report (Gozaresh), the “hero” is a tax collector, yet he’s involved in corruption and beats his wife. Still hardly classifiable as a good guy, it would seem.
However, with all the movies made around the world in all the years of cinema’s existence, there had to be some films with likable taxmen, so we dug deep and desperately and just barely found ten such characters (admittedly, some are a stretch). While you struggle last minute with your 1040 today, you might not have much appreciation for a list of good guy taxmen, but we don’t care, because hopefully our celebration of these characters will keep us from getting audited anytime soon. Or, if we must get a visit from the IRS agent, we can hope we’re sent one like these men and woman:
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Earlier this month, Production Weekly reported that Alex Cox and David Lynch would begin shooting their Repo Man sequel, titled Repo Chick, next month. Fifteen 25 years after the release of the first movie, Cox revealed that it’s a timely revisit, as the new movie will “unfold against the background of the credit crunch and the subprime mortgage crisis in the US, where repossessions of homes, cars and other forms of property is at a new high.”
Coupled with the recent announcement that John Carpenter is producing a remake of his own They Live, the news of a second Repo Man film has us wondering what other ‘80s cult classics should appropriately be remade or revisited now that the economy is shit again. Depending on your definition of “cult film” (many people call Ghostbusters a cult classic), some of the selected films may not be fitting for that term. Regardless, the following ten movies, if redone today, would have definite relevance to these troubled times.
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This series of side-by-side comparisons of frames from various Disney films (via WIRED’s Underwire blog) is meant to show how Disney recycles frames from one 2D animated flick to another in order to save time, money and labor value.
But more impressively, it’s also solid proof of the animation factory’s tendency to recycle themes across decades. The tableau above tracks the “nubile nymph dances for plump (read: impotent) male onlookers” theme, first seen in 1937’s Snow White and the Seven Dwarfs, and then resurrected 36 years later for Robin Hood. And surely there are more examples of such a scene playing out across the Disney ouevre–it’s been at least 17 years since I’ve seen it, but The Little Mermaid immediately comes to mind.
For all the films collecting dust in the Disney vault, there are really only three or four stories being told–young males, abandoned my their families, turn to nature; stubborn young women find themselves through the action of civilizing one man or a group of them; brutish men demonstrate their strength, only to later face humiliation and comeuppance. Did I miss any?
IFC has picked up
