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Straw Dogs Remake Complaints. Today in Film Bloggery 04/23/09

Christopher Campbell
By Christopher Campbell posted 7 months ago
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Years after it was first announced that a Straw Dogs remake is in the works, X-Men actor James Marsden has been cast in the lead role, which was originated on film by Dustin Hoffman in Sam Peckinpah’s 1971 version. While many complainers are focusing on Marsden’s involvement, others are taking this opportunity to whine more generally about the film being remade in the first place. When I first responded to the idea two years ago, I was mostly worried that writer-director Rod Lurie would try to one-up the original in terms of the violence, since torture porn was still kind of hot at the time. But apparently Lurie’s film won’t actually be as much of a gratuitous spectacle of rape and defense killings as is the controversial first film.

Personally, I never need to rewatch Peckinpah’s Straw Dogs anymore than I need to see Haneke’s Funny Games (either version), Alexandre Aja’s remake of The Hills Have Eyes or any other such film that’s so violent towards women. It’s certainly not a sacred film in my mind, so I couldn’t care less if anyone wants to recycle or reimagine the material. I do wonder, though, why Lurie doesn’t just title his version differently if it is indeed going to be unlike Peckinpah’s film. Why not go with the title of the source novel, “The Siege of Trencher’s Farm”? Or simply work from scratch. There have been so many other unrelated home-invader thrillers since Straw Dogs anyway.

Check out other bloggers’ complaints or defenses of Lurie’s plans after the jump:

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Nothing But The Truth Review, Toronto 2008

Karina Longworth
By Karina Longworth posted 1 year ago
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As a bitchy, comic/melodramatic woman’s picture on the order of All About Eve or The Women, Rod Lurie’s Nothing But The Truth is wildly entertaining. Unfortunatley for Lurie, I think it’s probably supposed to be a serious political parable about This Fix We Find Ourselves in Now…although the inclusion of Alan Alda as a fashion-obsessed high-powered defense attorney does make one wonder. Inspired by the Judith Miller/Valerie Plame/Scooter Libby CIA leak affair, the film begins with a disclaimer informing us that we’re about to watch a work of total fiction inspired by real events, and this is more than just a token protection against libel. In fact, the way Lurie distorts and embroiders on top of the framework of an actual political scandal is stunning. Drastically rewriting very recent history in order to transform the CIA agent into a dirty-mouthed martyr, the journalist into a 1st Amendment saint who sacrifices her family and freedom in order to protect a source, and the vice president’s chief of staff into a boozy Judas who merely confirms what the reporter already learned from an even more untouchable source, Truth is jaw-droppingly over-the-top in ways that are all good for a laugh, but don’t amount to much in the way of serious critique. Lurie’s shocking liberties might need to be seen to believe, but I’ll spoil them anyway, because they’re just too much fun. If you don’t want to know, don’t click through the link.

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