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Oscars: 10 Unlikely Nominations We’d Like To See

Oscars: 10 Unlikely Nominations We’d Like To See

Christopher Campbell
By Christopher Campbell posted 10 months ago
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We’re less than two weeks away from receiving this year’s Oscar nominations, and though none of the major categories are completely predictable just yet, each has at least three or four certain favorites. Meanwhile, the final slots for Best Picture, Best Director and the acting and screenwriting categories may be simply a random grab from small handfuls of rotating contenders. As of now, it doesn’t appear we’ll be seeing any huge surprises come the morning of January 22nd, when the Academy announces the nominees. The Dark Knight is sure to become the first comic book film up for Best Picture, and it won’t even be a shocker if animated feature Wall-E is listed alongside it in the same category.

But the ballots don’t need to be mailed out until Monday, so I’m taking one last chance to reach out to the procrastinators within the Academy membership. If you still don’t know who and what to write in, and you’re unwilling to go the safe route and nominate the expected bunch of films and talent, then consider some of these underdogs, under-appreciated and pretty much unlikely possibilities:
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Jesse James Under Consideration?

Karina Longworth
By Karina Longworth posted 1 year ago
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 jessejamesad.png

Go to Variety.com this morning, and chances are you’ll be greeted by a full-page For Your Consideration ad on behalf of The Assassination of Jesse James By The Coward Robert Ford. Which is interesting, considering that when the film premiered in September, Warner Brothers all but declined to promote it, spending the bare minimum on advertising and making it virtually impossible for non-coastal critics to write reviews. Whether it’s a last-ditch salvage job or it was part of the plan all along, maybe Warner Brothers understands that this is a film with limited mainstream appeal that nonetheless deserves a chance to play in the awards game?
Maybe, maybe not. For me, the overall takeaway from the ad (I took a screencap and pasted it above, just to make sure it wasn’t an early morning hallucination) is that the studio is still working against the movie’s strengths. Looking what they’re specifically flogging in the ad: Andrew Dominik for Best Adapted Screenplay, at the exclusion of Roger Deakins for Cinematography, which should be a lock? Sounds like a contractual obligation. Maybe more egregiously, the ad has room for the names of five producers, but no push for Casey Affleck as Best Supporting Actor?

I know, I know––gift horse, mouth, blah blah blah. Tell me why I’m wrong in the comments.