• While many cinephiles were watching indie films at Sundance and celebrating the nominations of little-seen Oscar-hopefuls, regular moviegoers were buying tickets to Paul Blart: Mall Cop, which topped the box office for a second weekend in a row. With 10-day earnings at $65 million, the comedy has already outgrossed Best Picture shoo-in Slumdog Millionaire. Of course, nearly all major Oscar contenders did at least see a boost in box office following the announcement of nominees (Doubt being the exclusion).
• Was anyone else watching the SAG Awards last night and wishing it would turn into a death match, or at least a debate? Well, Variety has a multitude of backstage quotes from actors from both sides of the infighting union. And of course there’s the onstage taboo-breaking prophecy of Tina Fey.
• In an admitted attempt to battle piracy and boost the Hong Kong film industry, producer Stephen Shiu Jr. is making a 3D sequel to the 1991 erotic adventure movie Sex and Zen. Simply titled 3D Sex and Zen, it will apparently be the first 3D erotic film ever made. Perhaps this is just what digital 3D needs to get that much-needed rise in interest.
• Universal has moved Sacha Baron Cohen’s Bruno from mid-May to mid-July, reportedly to fill a gap left by 2012, which was pushed back to November. Of course, it also won’t hurt Cohen to avoid getting hammered by Angels & Demons.
• And for those of you who missed the additions to our Sundance deals chart, the films Spread, Moon and Art & Copy were all picked up for distribution over the weekend.

• Remember how Hollywood feared a Screen Actors Guild strike earlier this year following the devastating WGA strike? Well, after a summer of fruitless negotiating, a strike from SAG may indeed finally happen. The guild is voting today on whether or not to ask its members for a work stoppage, which could have actors walking out around the same time the writer’s started picketing a year ago.
• Adding to my single reason for not switching to a Mac, Netflix’s Watch Instantly service will now stream 1,000 additional movies courtesy of a deal with Starz. Time to finally buy a Roku, if you haven’t already.
• Universal was reportedly already the lead candidate to acquire the available distribution partnership with DreamWorks, but just to clinch the deal the studio is offering Spielberg & Co. an additional $150 million financing safety net from parent company NBC Universal.
• Hilary Swank has found another Oscar-bait role: the two-time Best Actress winner will star as the title role in Betty Anne Waters, about a high school dropout who becomes a lawyer in order to defend her brother, who has been convicted of murder.

• With its hybrid cast of Asian action stars and non-threatening all-Americans, if the third Mummy movie hadn’t performed well internationally it would have been perceived as a disaster. But domestically, the long-gestating sequel played as an also-ran to the still-stunning Dark Knight. The Batman movie is now about two-thirds of the way to matching Titanic’s domestic box office high water mark.
• Art Linson will produce and music video director Floria Sigismondi will direct a biopic on The Runaways, the 70s-etta all-girl punk-esque band that launched the career of Joan Jett. Jett will executive produce.
• SAG and the AMPTP are still talking. Still, no one cares.

• Hollywood loves the energy crisis! Not only is there evidence that “higher gas prices boost boxoffice by prompting consumers to opt for the local multiplex over longer trips,” but foreign oil investors, prompted by a desire to avoid taxes on windfall profits, “look more favorably on the film biz — any film, really — because it means that even if a movie loses, say, 20% or 30% of its money, investors still come out on top because those losses pale compared with what a government might have taken.”
• “There’s a superhero summit under way at Warner Bros,” says David S. Cohen at Variety, as the studio and subsidiary DC Comics meet to work out a “master plan” for shilling superheroes going forward.
• The Chinese censorship board is demanding that cuts be made to the third Mummy movie––which shot for three months in China, and incorporates a replica of the Great Wall––but they’re not publicly specifying what it’ll take to let the film be shown in the country. Is anyone else starting to suspect that the Chinese censors just have really good taste?
• The AMPTP won’t accept any of SAG’s counter-offers, and SAG won’t settle for the AMPTP’s “final” deal. So what now? No one knows for sure, but with SAG members continuing to work with no contract, it’s possible that the studios will “declare an impasse and impose the terms and conditions of the new offer.”

• Robert Downey Jr will go straight from Iron Man victory lap to Guy Ritchie’s brave attempt to overcome his wife’s fatal pull Sherlock Holmes movie. The project is being fasttracked in order to beat that other Sherlock Holmes movie, the one with Will Farrell and Borat, to the screen.
• So much for “final offers”: the day after AFTRA ratified their deal with the studios, news breaks that the AMPTP has offered SAG a $10 million, retroactive-to-July 1 bonus if they agree to ratify the contract by August 15.
• The NY Times is getting a cash infusion by selling the development rights of their stories to Hollywood studios. The most recent story to go on the block (and the 15th in two years) is “This Strange Thing Called Prom,” a June 22 piece about students at a multi-culti Brooklyn high school preparing for the big night. Miramax bought it, but hasn’t yet attached any talent.

• The members of AFTRA have ratified a proposed deal with the APMTP over a new contract. This wrecks SAG’s hopes that they’ll be able to use the dissatisfaction of the hundred-thousand-plus actors who belong to both unions as leverage against their own stalled negotiations. Another factor to SAG’s woes: after the WGA strike, nobody wants to be out of work again.
• Variety confirms Nikki Finke’s report that the Weinsteins are looking for a financing partner to help them get Quentin Tarantino’s Inglorious Bastards made in time for premiere at Cannes 2009; the studio has already found a moneybag for Rob Marshall’s Nine in Relativity Media.
• Palisades Media has picked up the just-shuttered Tartan UK’s 400-film video library, which includes films like Super Size Me, In the Mood For Love, and the works of Bergman and Pasolini.

• AFTRA will announce the results of their guild’s ratification vote on a prospective contract with the AMPTP today. It’s said to be “widely anticipated the terms will be accepted,” despite SAG’s pressure on their overlapping union to vote no in order to get a new/more favorable deal.
• Robert Schwartz looks at three of New York’s outdoor summer film festivals, including Rooftop Films.
• William “Cruising” Friedkin will direct the Milan premiere of the opera based on An Inconvenient Truth.
• Kinky Boots, one of those newfangled British comedies where somebody saves something through the power of something that somebody else thinks is naughty, is going to become a Broadway musical.

• Hancock made $107.3 million over the five night weekend, giving the Will Smith fractured superhero tale the third best July 4th opening of all time. It’s considered a victory for Smith’s star power, but it’s still almost $50 million less than Spider-Man 2 managed in a similar time frame. Meanwhile, The Wackness enjoyed the highest per-screen average of the weekend, earning $24,177 on each of its 6 screens.
• SAG is expected to make an announcement today about AMPTP’s “final offer”––although they might just announce that they need more time to think it over. Meanwhile, at a press conference at the Karlovy Vary Film Festival over the weekend, Robert DeNiro argued against a strike, accusing his fellow actors of not having “done their homework” on the economics. “I do not know if it is the right time to be doing this at all with the economy the way it is,” he warned.
• The opera directed by David Cronenberg based on his movie version of The Fly is bombing with French critics. Though complaints regarding the score’s “lack of expertise and imagination” have damaged ticket sales somewhat, apparently “Cronenberg diehards, Paris’ trendy 30ish art crowd and a sprinkling of goth girls” are still coming out in full force.

• Hancock is expected to make around $100 million this weekend, simply because Will Smith + July 4th = boatloads of money, regardless of negative buzz.
• SAG still doesn’t have a contract, but nobody seems to be particularly concerned. According to Variety, “There’s a ubiquitous sense among studio and network execs, talent reps and multihyphenates that SAG does not have the bedrock of support among its members to call for a work stoppage.” Meanwhile, Tom Hanks is supporting a ratification of the AFTRA deal, which would almost certainly nix any possibility of a SAG strike, whilst Jack Nicholson wants his compatriots to hold out for a better deal.
• Sacha Baron Cohen will play Sherlock Holmes opposite Will Ferrell’s Watson in an as-yet untitled comedy based on the detective stories. But they’ll have stiff competition from a competing Sherlock film being developed by the week’s most famous male maybe-divorcee, Guy Ritchie…right? [crickets]

• The Screen Actors Guild are currently without a contract. The AMPTP offered a “final offer” late yesterday in hopes of nailing the union down before their previous contract expired at midnight, but SAG insisted on giving the “deeply flawed” proposal the once-over before meeting with the studios on Wednesday. They’re probably just stalling until AFTRA votes on their tentative deal with the AMPTP next week.
• Variety takes note of the summer’s box office sleepers thus far, including The Strangers, which has quietly crossed $50 million, and What Happens in Vegas, an alleged bomb which nonetheless will almost certainly make close to $100 million.
• The Gillian Anderson comeback train rolls on. The X Files star has acquired a biography of Martha Gellhorn for her to star in and her production company to adapt. Gellhorn was a pioneering war correspondant and sometime wife of Ernest Hemingway.
• Philip Noyce will likely direct Edwin A Salt, a thriller in which Tom Cruise will play a “CIA officer who’s accused by a defector of being a Russian sleeper spy. He must elude capture long enough to clear his name.” Yes, Tom Cruise has now become so boring that news of his next project is relegated to the bottom of the roundup. Such is the way of the world, I guess.

Have you been following The Hollywood Temp Diaries? It’s an anonymous Blogger blog with the tagline, “I am one of those barnacles on the hull of the good ship ‘Hollywood.’ These are my stories.” Good stuff, especially if you subscribe to that dirty secret that most Hollywood jobs are just as glamorous and exciting as, like, working anywhere else. The blog’s author, known only as Temp X, has been drawing a direct line between the impending SAG strike and total global apocalypse for awhile. A couple of days ago, s/he posted a “videotorial” to hammer home her/his case, and for people like me who haven’t been able to get it up to care much about an actor’s strike, it’s the perfect vehicle for impressing the seriousness of the situation. More here.

• Wanted opened to $51.1 million over the weekend, which is, you know, a fantastic boost for Angelina Jolie’s live-action bankability, but it wasn’t enough to beat Wall-E‘s $62.5 mil for first place. Speaking of boosts: The Last Mistress made $17,596 on each of its screens, which is roughly $17 for every time Asia Argento shows her debatably authentic boobs in it.
• SAG says they’re not going on strike and any suggestions in that vein coming from the AMPTP are merely “scare tactics.” The AMPTP says SAG is responsible for The End of Hollywood As We Know It. Or, more accurately: “The industry is shutting down because SAG’s Hollywood leadership insisted on 11th-hour negotiations and dragging these talks into July so they can continue attacking AFTRA.”
• Prince of Broadway and Loot took the big narrative and documentary prizes, respectively, at the Los Angeles Film Festival over the weekend. The Wackness and Man on Wire won the audience awards. In other fest news, Wim Wenders, director of the most maligned competition film last month at Cannes, will head the jury at the Venice Film Festival.

• Paramount doesn’t seem to be completely shutting down indie arm Paramount Vantage––they don’t seem to have given up on producing smaller-ticket prestige films, unlike Warner Brothers––but they are “folding the marketing, distribution and physical production departments of Paramount Vantage into the larger studio,” and eliminating three jobs in the process.
• Legendary 70s exploitation film I Spit On Your Grave is getting a remake. The producer of the remake cites the continuing meaninglessness of the rating system as the remake’s commercial imperative: “After seeing what was done with an R rating on films like ‘Saw’ and ‘Hostel,’ we think we can modernize this story, be competitive with what this marketplace expects and not have to aim for an NC-17 or X rating.”
• Independently produced films are expected to “dominate activity in the late summer and early fall,” as SAG continues to issue waivers to producers not affiliated with studios as strike talks drag on. Also: Werner Herzog’s Bad Lieutenant has a July 8 start date!
• Brian DePalma will make a film about The Boston Strangler. Yawn.

• Fitting for May Day, Variety has the latest on the AMPTP and SAG negotiations, and things don’t look good. The majors are quite upset with the demands of the union, delivering the message that “Unless SAG backs off its demands on DVD and new media soon, it can forget about a deal even if thesps go on strike.”
• SAG might want to take note of Apple’s latest announcement, then, and rethink its DVD demands, because the news that iTunes will now sell films day-and-date means the tangible home video format could soon be a relatively minor ancillary.
• On the subject of actors backing down (and out), Javier Bardem has exited Rob Marshall’s musical adaptation Nine due to exhaustion. He’ll take a year off from acting while Marshall will have the difficulty of finding another actor suitable to fill the shoes of Marcello Mastroianni.
• Squashing some of the debate over whether or not the documentary should be allowed Oscar contention based on its sneaky theatrical “release”, Roman Polanski: Wanted and Desired will be getting an official run from THINKfilm beginning July 11. Of course, that’s a month after HBO debuts the film on cable.