Warner Bros. has narrowed down the choices for the star of its Green Lantern movie, and considering the three candidates have been publicly named, courtesy of The Hollywood Reporter, I’m thinking the studio should let the fans decide. Put the screen tests up online, allow us to ask a few questions of each of the eligible bachelors actors and then permit us to pick our favorite as though it were some kind of movie-casting version of The Dating Game.

In a way, we, the moviegoers, will end up entering a long relationship with the person put in the role of Hal Jordan, aka Green Lantern, and we don’t want this to be the old-fashioned arranged-courtship sort of ritual we typically get from Hollywood. It didn’t work for the last Superman movie, and many of us aren’t even that happy with the current Batman. Warner Bros. needs to learn from its mistakes and embrace democracy.

So, who should it be? The runners-up are: Bradley Cooper; Ryan Reynolds; and Justin Timberlake.

If you need help making up your mind, check out what the film bloggers have to say after the jump. I’m sitting this one out due to my unfamiliarity with the superhero, but I’d be curious to see how Timberlake would do in such a role.

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Hours after Al Franken’s latest victory in the 2008 Minnesota senate race, Thom Powers hosted a special screening of Chris Hegedus and Nick Doob’s documentary Al Franken: God Spoke at Stranger Than Fiction in New York. Though the film, released in 2006, only extend into the very beginning of Franken’s senate run, thanks to recent events it plays as an invaluable portrait of the bridge Franken travelled from Saturday Night Live mainstay to Fox News punching bag, from humiliated Kerry supporter to quiet victor in a vote that his opponent won’t let lie.

Early on in the film there’s footage of a public spat on some kind of book panel between Franken and Bill O’Reilly, which basically ends when the Fox star aggressively tells the then-comedian to “shut up!” At that point in their careers, they’re both personalities. The story of the film is Franken’s evolution up the food chain, from being a dog nipping at O’Reilly’s ankles to being his more-or-less equal,  and on to Franken’s determination to grasp an actual position of power, thus putting him in a different league altogether from a media star whose power is largely percieved and mostly conferred by his associated institution. And though it ends not long after the 2004 re-annointing of George W. Bush, seen a full election cycle later God Spoke feels like the beginning of the story of the rise of the left as an organized mainstream media presence, and the eventual triumph of the Democratic Party. (Which is not to say that it’s not occasionally dated; at one point Tucker Carlson, who spent much of the 2006 and 2008 election clouds associated with liberal bastion MSNBC, is here held up as a tool of the right via his then-role as anchor of Crossfire on CNN).

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When the recent announcement came that Dennis Quaid and Julianne Moore had been cast as Bill and Hillary Clinton, respectively, in The Special Relationship, Peter Morgan’s third film involving the Premiership of Tony Blair (played once again by Michael Sheen, who previously portrayed the former British Prime Minister in the Morgan-scripted films The Deal and The Queen), many of us began wondering if Monica Lewinsky would appear as a character, and if so, who would play her. Anne Thompson even provided an hilariously implicit visual aid for why Anne Hathaway would be great for the part.

Unfortunately, it’s been revealed that Lewinsky will only be included in the made-for-HBO film via archival footage. But that isn’t going to stop us from imagining who should have been cast in Morgan’s film had he decided to focus more directly on the Lewinsky scandal. Because we’d all much rather see that film, right? And although a low-budget depiction of the affair, titled The Blue Dress, is already in the works, it certainly won’t be as much fun as a high-profile picture featuring big stars as the infamous figures involved with the scandal.

So, we’ve cast the second-term Clinton movie we’d prefer be made. And as always we welcome you to suggest your own casting ideas — whether to substitute for those we’ve selected or to play characters we’ve forgotten — in the comments.
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Need help cutting down your Christmas tree? Jason Vorhees can help. Want someone to cook holiday dinner? Hannibal Lecter’s got you. Even the Mummy is here to bandage your kid’s leg after a see-saw accident involving Chucky. It’s a horror villain family Christmas, featuring Darth Vader looking beautiful walking through the snow, Freddie Krueger snipping a bouquet of flowers with his glove, and Samara popping out of the television to deliver presents.

Yes, that present is a DirecTV dish, and this is a commercial. But it’s old, it’s foreign and it’s one of the more enjoyable DirecTV ads ever made. My only criticism: shouldn’t Leatherface have been in charge of the tree cutting? Jason could have just wandered around with no significant duty, like Dracula. Also, I would have loved an appearance from Tony Todd, preferably holding some candy canes. Otherwise, this clip is perfect. I’d love to see it become an actual video e-card for the holidays, along with the old SNL Season’s Greetings skits (for those wondering where Frankenstein’s monster is, he’s over with Tonto and Tarzan singing “Away in a Manger”).

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I missed it when it aired over the weekend, but apparently there was a short film on Saturday Night Live this past Saturday starring guest host Paul Rudd, Bill Hader and an out-of-Obama-costume Fred Armisen, directed by none other than Noah Baumbach. Via Whatevs, I’ve embedded it above. It’s a cute bit of bromance–they’re all sleeping with the same girl, because they all really love each other! It’s no Mr. Jealousy (ah, Chris Eigeman and Peter Bogdanovich, together at last), but at the very least, it’s considerably more subtle than anything I’ve seen on SNL in awhile.

There’s an argument to be made that W., Oliver Stone’s Josh Brolin-starring sorta-biopic on our sitting but barely-standing president, has been thrust on the culture too soon. What kind of perspective could Stone and screenwriter Stanley Weiser possibly have on the Commander in Chief with George W. Bush still bumbling along in office, still a regular fixture on cable news and a constant target for Saturday Night Live? And wouldn’t the real W’s minuscule approval rating suggest that interest in dramatization of his presidency would be slim? But maybe a better argument is that W. has hit at exactly the right time — in fact, maybe the only time when this oddly argument-free work of trompe l’oil comedy could possibly slip seamlessly into the media diets of average Americans. Almost unbelievably, Stone has John McCain to thank for this accident of timing: W. would look much more freakish as a bizarrely idea-light folly if it had been released into a world that hadn’t ever seen (or even conceived of) Tina Fey’s dead-on impression of Sarah Palin.

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I would love to continue from yesterday’s clip of the day, and spotlight more of those clever Hellboy II: The Golden Army promos (here’s another one with Lipton; and another one; here’s one with “Wolf” from American Gladiators; here’s one with Zachary Levi of TV’s Chuck; and another one; here’s one with TV’s Ghost Hunters).

BUT tomorrow is Independence Day, aka the 4th of July, and that means it’s time for MUPPETS. Specifically the most patriotic Muppet of all: Sam the Eagle, who presents us with a rendition of “Stars and Stripes Forever” performed by Beaker, Animal, the Swedish Chef, Bobo the Bear, a penguin and some chickens. Sam also recites part of the Declaration of Independence, Crazy Harry provides the fireworks and Statler and Waldorf show up for some criticism. Forget the hot dogs and the red, white and blue boxer shorts; this is all you need to make your holiday complete.

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I keep forgetting that Mike Myers is not actually playing an Indian in The Love Guru, and yet I’m constantly reminded by the film’s commercials, which show that ridiculous shot of a little kid’s body with Myers’ giant head digitally superimposed onto it. Really, Myers’ character (Pitka) is a white American who is left on the doorstep of an Indian ashram when he’s a child. Then he’s raised as Indian, I guess (or simply Hindu, but then why the accent?).

Apparently the character, Pitka, couldn’t simply look and talk like Myers. He had to have that silly accent and the clothes and the facial hair, despite the fact that Deepak Chopra, who partially inspired the character (and who appears in the movie), is able to wear jeans and be clean-shaven. Because who would believe Myers as an Indian guru with just the voice, the clothes and his baby face?

Of course, Myers is not the first actor to wear or grow a beard and/or mustache in order to take on the guise of another ethnicity. Sure, it’s also the accent and the makeup that transforms the actor, but with the most recognizable faces, it’s the facial hair that really seals the deal for supposed authenticity.

1. Charlton Heston as Mexican in Touch of Evil (pictured above) - Maybe if Heston could maintain the accent he wouldn’t have needed the mustache. But then in photos he still would have just looked like regular old Heston. With the whiskers, however, he looks like regular old Heston with a mustache. If this look defined a man as Mexican, then many characters from the ’30s must have been Mexican. Rhett Butler? Mexican. Nick Charles (and anyone else played by William Powell)? Mexican.
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Musical theater legend Robert Goulet died yesterday at the age of 73, while awaiting a lung transplant. Goulet first made his mark starring in Camelot on Broadway in 1960; he was a staple of variety shows made-for-TV musical adaptations until both went out of fashion; he appeared in Beetlejuice and Atlantic City; he voiced the penguin in Toy Story 2. But most people of a certain age probably know Goulet best through Will Ferrell’s impersonations on SNL. So, in tribute to Goulet, I’ve embedded my favorite of Ferrell’s Goulet clips above. You get the idea.