But what if he had designed the opening credits to Star Wars? Well, it might have looked something like this video, which was created for a school project. Interesting, yes. Creative, yes. Entertaining, yes. Memorable, no. It just goes to show how significant some credit sequences can be, because this is hardly appropriate for George Lucas’ film. And I don’t just mean because the music is all wrong. If this student wanted to go with a jazz score for the titles, he should have gone with a jazz cover of the Star Wars theme. And if he wanted something more upbeat, he could have used a jazz cover of the Cantina Band song (both covers can be heard on this album).
If I was this guy’s professor, I’d give him a B+, mostly for effort and the fact that I love the lazer blasts and the zoom in on the Death Star at the end. For the A, though, he’d need to resubmit with something more suitable than a Buddy Rich soundtrack.
“Those devil horns and that crooked arrow strongly suggest that the ghost of legendary art director Saul Bass created the new one-sheet.” Jeff Wells breaks down the elements of ThinkFilm’s very old-school new poster for Sidney Lumet’s Before the Devil Knows You’re Dead. See my NYFF review of the film here, and to listen to Lumet talk about his newfound love of HD, click this.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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