The first half of this week saw a drought as far as new trailers are concerned. But when it rains it pours, and by the end of day Thursday the internet had received a relative monsoon of debuts, including the now-official release of the Sex and the City trailer, which Karina prematurely peeked at last Friday, and another awesome ad for Iron Man.
But the truly noteworthy trailers had to be those for three eagerly anticipated comedies, two of which we are seeing for the first time. First, there’s The Love Guru, which stars Mike Myers as his first originally created comedic character in more than ten years. Unfortunately, it kind of makes me wish he would just keep making Austin Powers movies. Maybe I just don’t get it, and maybe I should just accept that a Myers comedy is less about it and more about him. But it doesn’t look that funny. And I’m a person who can appreciate the making fun of Extreme and the parodying of Bollywood and the ridiculing of little people.
Oh, good: Indiana Jones and the Dorian Grey-ing of Harrison Ford Into Shia LaBouf will premiere at Cannes! Maybe. No one’s seen the thing yet, but according to Variety, “The cast, which includes Harrison Ford, Shia LaBeouf and Cate Blanchett, have already been notified to pack their black-tie outfits for the French Riviera’s red carpet unspooling even though the fest has yet to confirm its official lineup.” Because celebrities pack suitcases 10 weeks in advance.
Theatrical exhibition conference ShoWest will confer a special “Freedom of Expression Award” to Ang Lee and James Schamus, for releasing Lust, Caution with an NC-17 rating instead of cutting the film to get an R. National Theater Owners president John Fithian is inexplicably trying to push studios to revitalize the NC-17 market, even though even Lust, Caution made just under $5 million domestically, and in fact was a super-hit in China…where it was cut to appease the censors.
Semi-Pro, which opens today, suddenly bears the dubious distinction of being the final release from New Line before the studio is subsumed into the clusterfuck that is Time Warner. It may not exactly send the studio out with a bang: although the comedy is said to be “tracking well among males under 25″ it’s nonetheless expected to “open well lower than Ferrell’s most recent films.”
Is it too “gory,” or did the filmmakers want too much money? This Variety story offers both as potential reasons for why the Amy Adams/Emily Blunt Sundance comedy Sunshine Cleaning, which was pegged before and during the festival as an almost sure-thing candidate for a sale, is only now closing a distribution deal with Overture Films.
In other sales news, Film Movement has picked up Argentinean teen hermaphrodite drama XXY. It won two awards at Cannes last year, and it’ll screen next month at New Directors/New Films here in New York.
No Country For Old Men will “almost double” its screen count this weekend, in order to best take advantage of the profile boost offered by its multiple Oscar wins. It’s probably also smart counter-programming against Semi-Pro, which will be the only film to open this weekend on over 2,000 screens.
Fireman’s Fund Insurance Company is looking to cash in on a potential SAG strike by offering policies to film productions scheduled to coincide with the union’s summer contract negotiation deadline.
Do adults actually take President’s Day off? The studios, assuming *someone* isn’t going to work or school today, opened their movies on Thursday night and are going to keep tabulating grosses through the end of today. This means Jumper will easily cross $40 million in its first frame, all but guaranteeing its franchise potential. Also, I was barely aware that it had even opened, but 27 Dresses is currently grossing about three times as much per weekend as Cloverfield, and it may even gross $100 million before it fades from theaters.
Yawn. Variety launches their latest anti-internet screed, as Brian Lowry uses a post-strike think piece as the venue to rail against the “sometimes ugly, insular and semi-delusional worlds the Net can perpetuate.”
Will Arnett and Woody Harrelson are joining Will Ferrell on the Funny or Die comedy tour, to promote their upcoming Semi-Pro. Too bad for you, it’s been sold out for ages.
These things are funny: drunk basketball; guns pointed at crotches; and orgies. These words are funny: fuck; dick; blowjobs; and cock (as in “suck my cock; I’ll murder your family!”). What do they all have in common? They can be shown and heard in the red-band trailer for Semi-Pro, the new Will Ferrell movie opening in February. Why are they so funny? Because they can only be shown and heard in a red-band trailer, duh.
When I was growing up, I learned that swearing was a sign of a lack of creativity. When I was in high school and taking creative writing classes, I learned that swearing was a sign of realism. Now that I’m old, I’m learning that swearing is a sign that something is hilarious. I’m not sure exactly why curse words and other offensive dialogue and subject matter is considered necessary for comedy these days, but between all the red-band trailers and unrated DVD versions, it’s apparent that nothing is at its funniest until it’s allowed to let loose with the F and C words.
Oh, good: Indiana Jones and the Dorian Grey-ing of Harrison Ford Into Shia LaBouf will premiere at Cannes! Maybe. No one’s seen the thing yet, but according to Variety, “The cast, which includes Harrison Ford, Shia LaBeouf and Cate Blanchett, have already been notified to pack their black-tie outfits for the French Riviera’s red carpet unspooling even though the fest has yet to confirm its official lineup.” Because celebrities pack suitcases 10 weeks in advance.
Is it too “gory,” or did the filmmakers want too much money? 
Do adults actually take President’s Day off? The studios, assuming *someone* isn’t going to work or school today, opened their movies on Thursday night and are going to keep 
