If you need to rest your eyes at any point during the 146 min. comedy epic Funny People, your best bet is to do it early during a sequence in which Adam Sandler’s character has back to back sex with a couple of female fans. The second of these scenes is mildly amusing, but there’s just no need to put the images in your head of either Sandler with a face full of breasts or the actor taking a girl from behind.
There are some actors we don’t need to see in a sex scene, humorous or otherwise, and Adam Sandler is one of them. He’s of a generation of comedic actors who starred in movies where they get the girl but where there’s no need for gratuitous sex and nudity. Unlike most of his successors, including Vince Vaughn, Owen Wilson, Paul Rudd and Dane Cook, he was never a pin-up in addition to being a funnyman. Even if he was better looking than some of his brethren, such as David Spade, Mike Myers, Chris Farley, Rob Schneider.
Still, Adam Sandler isn’t the last male actor we’d want to see in a sex scene. He’s not even in the bottom ten, which we present in a list below: …Read more
Judd Apatow’s Funny People feels like an attempt to graft the writer/director/producer’s patented brand of semi-raunchy character comedy of latent male adolescence on to the template of a certain kind of studio film rarely made today — think 1980s Oscar bait, like Terms of Endearment, The Accidental Tourist or even Beaches: the gently melancholic dramedy in which someone in early middle age is suddenly forced to reconcile their lives. This unlikely hybrid serves as the vehicle for a meta-epic work of autobiography that pays tribute to one of the writer/director’s oldest friends/collaborators, diverges into a love letter to his wife, contrives to get the wife and the friend in bed together, and then drags in Eric Bana to get them out. All the while, Seth Rogen is milling about, mostly as a surrogate for the filmmaker, until he suddenly switches over and starts speaking for the audience — during the film’s draggiest stretch, he is very vocal about not wanting to be there.
If this sounds bizarre, it is. What’s more bizarre is that this mix of personal project-as-product actually succeeds — at least intermittently. Though not formally bifurcated, Funny People practically plays out in two sections (another 80s flashback: it feels like the kind of film that used to come packaged on two VHS tapes). It peaks emotionally at about three-quarters of the way into the first section, makes good on track laid in that scene about a third of the way into the second section, and then rapidly devolves from there into a domestic sitcom that can only resolve itself in a “girls may come and go, but bromance is forever” fade out. The film is so self-referential, so quick to pounce on and twist what the audience thinks it knows about Apatow and his players (from multiple references to Seth Rogen having recently lost a lot of weightto Adam Sandler repeatedly begging Rogen to show him his dick) that to reaffirm the bond between two men this way almost seems like an act of defiance. “Yes,” Apatow seems to be saying. “This is a movie about me, and yes, my primary concern as an artist is platonic male love. So … suck it.”
SpoutBlog is sitting out this year’s San Diego Comic-Con International, but that doesn’t mean we’re not paying attention to the geek mecca from afar. In a way, we get to have a more sane perspective without all the screaming and crowdedness (between Twilightand Johnny Depp, it’s apparently madness). Plus, we’re checking out all of the direct coverage, and I do believe we’re getting a more comprehensive experience this way.
I’ve selected some of my favorite coverage from the last 24 hours so that you may share in the appreciation as a fellow outsider (or maybe you’re there and want to see what others have seen/heard). Check out all the best comments, videos and links after the jump:
Whenever I watch EntourageI wonder how Turtle can get so much play, even if he is friends with a big movie star like Vinnie Chase. He’s fat and obnoxious and … okay, so I don’t need to get into a fight with Jerry Ferrara, the actor who plays Turtle, so I’ll stop right there. But I will say that I found it ironic and hypocritical that the show is in the news today for being similarly dubious of Seth Rogen’s attractiveness to Katherine Heigl in Knocked Up. I also find it interesting that Entourage could be so harsh about a movie star without that person showing up on the show and being in on the mockery (as is typically the case). Instead, Rogen is apparently upset enough about the jabs that he’s been vocal about an appararent longstanding feud between him and Entourage creators Doug Ellin and Mark Wahlberg to the E! program Daily 10. In addition to calling the Entourage gang “assholes,” he claims “it’s on.” Of course, Rogen doesn’t need to be so defensive since he got the last laugh by losing so much weight and becoming far more successful in the past two years than anyone associated with the HBO series (including Wahlberg).
Still, despite Rogen being the victor so far in the feud, I do hope it escalates until climaxing in a streetfight reminiscent of the massive battle in Anchorman(which Rogen appears in, though not in that scene). The Apatow gang vs. the Entourage boys, with eventual appearances from the State guys and the Broken Lizard troupe, etc. Maybe someone will even die by trident if we’re lucky.
Check out other blogs’ commentary on the feud after the jump: …Read more
What’s funnier, cancer or rape? That’s a trick question; neither is funny. And in the past 24 hours I’ve seen concerns for two Seth Rogen movies because of how they involve these unfunny subjects. Of course, I doubt the cancer comedy Funny People will turn as many people off as much as the date rape joke in Observe and Report.
If you’ve seen the red-band trailer for Observe and Report, you’ve seen the gist of the joke, which has Rogen pause mid-intercourse because he thinks Anna Faris’ character is unconscious. She’s apparently not, though, and scolds the guy for stopping. Yes, it’s black comedy, and yes, it makes sense as a joke in theory. But neither Faris’ seemingly conscious outburst nor the audiences’ laughter make it okay, according to some people who will not be going to see the movie this weekend or ever.
Few blogs are writing about the date rape issue surrounding the movie, but those that are have received a few interesting comments, all of which make me wonder if Observe and Report’s box office could be even slightly hurt by the joke. Certainly there have been successful films featuring total scumbag protagonists (Gran Torino is one example, though its character’s racism isn’t necessarily played for laughs), but does this one really appear to be saying that the scumbaggery is forgiveable in certain situations? After reading Faris’ thoughts, watching Rogen’s apologism and reading the comments below, let us if you’ll also be avoiding the movie as a result of its misogynous humor.
Between the new Vanity Fair spread starring his comedy troupe (which includes his wife) and official word that he’s producing Ghostbusters 3, Judd Apatow is the talk of the Internet today. Eric D. Snider, in a new post at Cinematical that is apparently unrelated to either bits of news, even discusses Apatow’s potential status as this generation’s John Hughes. Considering some bloggers refer to the stars of the Vanity Fair feature as the “Frat Pack,” despite that term’s origins being with another set of actors (though Apatow’s pals do overlap and have been deemed “Junior Varsity” members), there may be weight to Snider’s claim.
Whatever Apatow’s group is called (Vanity Fair simply yet prematurely labels them “Comedy’s New Legends”), their leader is certainly ruling over a large part of Hollywood these days, enough that he’s sure to appropriate more than just the Frat Pack name before he’s done with his reign as King of Comedy. Now that he’s borrowed the talent of Adam Sandler (for this summer’s Funny People) and is about to take charge of even older SNL alum (for the next Ghostbusters flick), what could stop him from hiring Anthony Michael Hall or Shirley Maclaine in order to align himself with even the “Brat Pack” and “Rat Pack,” respectively?
We’ll just have to wait to see how much Apatow will ultimately conquer. So, for the time being, let’s take a look at what the blogosphere is saying about him and his crew today:
After flocking to theaters for the PG-rated Paul Blart: Mall Cop, is America ready for the R-rated version? That will be decided when Jody Hill’s Observe and Report hits theaters this April (and before that, SXSW next month). Starring Seth Rogen in the Kevin James role, the later of “the dueling mall cop movies” has a new NSFW red-band trailer, and it has all the Blart-haters on the net (many of whom probably didn’t see the movie) all excited. Never mind if Observe will be better (it will be for those who prefer a lot of F-bombs in their comedies), the real question is whether or not a darker, raunchier version of a movie that’s already a box office hit will in turn be a flop. Especially in these times of speculating that audiences want more hopeful yet more mindless entertainment. Considering Observe seems almost like a bridge between Paul Blart: Mall Cop and Taken, which took the box office top spot away from Blart a few weeks ago, it’s plausible that this could actually be Rogen’s biggest hit yet.
After the jump, check out the trailer and what people around the blogosphere are saying about it: …Read more
Tom Cruise is potentially re-teaming with Valkyrie screenwriter Christopher McQuarrie on up to three projects, including another WWII flick that would put Cruise in the pilot seat again, Flying Tigers. Cruise is likely happy with the initial reception of Valkyrie, though sticking with McQuarrie for so long may keep him from diverse roles. The other two projects include the espionage drama The Tourist and the adaptation of the 60s TV show The Champions, which deals with super-powered spies.
Frank Miller is re-teaming with Odd Lot Entertainment for a dark Buck Rogers movie that he’ll write and direct. The announcement comes just in time, before an onslaught of bad reviews of The Spirit join Variety’s pan.
Stephen Chow will no longer direct but will still co-star in The Green Hornet. Apparently his creative differences don’t extend to his onscreen role of Kato. Maybe this is co-scribe and star Seth Rogen’s chance to try directing?
Believe the hype––at least, to a certain extent. Zack and Miri Make a Porno is Kevin Smith’s all-around high score for the current decade, and as a date movie for the demographic looking for a formula of 5% genuine romance underneath 95% poop and dick jokes, it’s way more fun than the film that made Seth Rogen a plausible leading man, Knocked Up. But what’s really exciting about is its seemingly autobiographical subtext referencing Smith’s own career –– which, unfortunately, is thrown in the flaming trash can of traditional romantic comedy in the film’s final twenty minutes, but which nonetheless makes Zack and Miri seem more heartfelt than any View Askew production since Chasing Amy.
It’s the night before Thanksgiving, and all through the town, everyone’s bitter and desperate to get laid. In a working class suburb of Pittsburgh, in the midst of a realistically icy, muddy, shitty winter, lifelong best friends and roommates Zack (Rogen) and Miri (Elizabeth Banks, finally proving to me that she’s a different person than Rachel McAdams) work menial jobs and are nowhere near able to pay their bills. (Side note: it’s interesting that Smith, currently at his most bloated in memory––he’s been thrilling crowds for months with a story of being so fat that he broke a toilet––has made his most convincing film yet about the frustrations of being skint.) At their exceptionally depressing high school reunion set to the pop hits of 1998 (Marcy Playground and MASE, finally playlist bedmates once again), Zack and Miri discover from a former classmate’s porn star significant other that they (and Miri’s pair of oversized granny panties) have become accidental YouTube stars. Zack has an epiphany: if people are already looking at their asses on the internet for free, why not get paid for it?
As I’ve noted before, it’s easy to assume that Kevin Smith cast Seth Rogen in Zach and Miri Make A Porno in an effort to capture some of the magic dust that makes Judd Apatow’s films so financially successful, while remining the audience that Kevin Smith movies have offered a blend of raunchy comedy and surprisingly traditional romantic resolutions for a decade and a half now. In a post today at Burbanked, Alan Lopuszynski questions whether Adam Sandler is currently starring in Judd Apatow’s Funny People for the inverse reason.
“At first, I figured that Sandler’s interest in working under Apatow as a director was because Sandler was on a downslope of box office returns at this point in his career,” writes Alan Lopuszynski at Burbanked. But then he got out the virtual graph paper, and realised that although Judd Apatow’s films are vastly more appreciated by critics than Sandlers, “the pair’s financial track records are extremely similar” — and when there has been a discrepancy, Sandler’s films have almost always grossed more than Apatow’s.
And so Alan coins a term to explain the collaboration:
It’s a tired gag, but filmmaker Tony Kaye (American History X) has fun with the “it’s not what you think” shtick and manages to make it work better than normal. However, whether it’s actually thanks to him or to the ever-lovable Elizabeth Banks and Seth Rogen is unclear. What is clear, at least, is that this promotional video for Kevin Smith’s Zack and Miri Make a Pornois probably too good for the feature film it’s linked to. Kaye is the one who should be releasing his eighth movie, while Smith should be the one making experimental non-commercials for him.
The other thing I have to say about any promotional materials for Zack and Miri is this: more Darryl Robinson! That man is comedy gold, and while the poo in the toilet joke in the trailers is funny, it’s mostly Robinson’s bits that have me interested in this movie. And I hate the idea of wanting to see another Kevin Smith flick after Clerks II, so for anyone to make this seem appealing to me is worth his weight in gold.
Scott Rudin is taking his name off Stephen Daldry’s The Reader after losing his heavyweight battle with Harvey Weinstein regarding the film’s release schedule. Now that Rudin has left the project, though, can we expect the producer to push his Revolutionary Road even harder for the Oscar? And will Kate Winslet be treated like a poor child of divorce who’s made to pick one parent over the other?
Confirming little more than what the movie blogs have been rumoring all week, Variety reports that super hot right now Josh Brolin is in talks to play the DC Comics gunslinger Jonah Hex. Perhaps with everyone respecting comic book characters so much these days this role will be the one that Brolin finally gets an Oscar nomination for.
I guess when your film stars George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey, you can get just any old actress to play the lead female part. But picking the most boring Lost character ever (well, the actress who plays her, anyway)to costar in Grant Heslov’s Men Who Stare at Goats seems a bit counterproductive.
Kevin Smith has directed his most emotional film with a decidedly non-emotional title with Zack & Miri Make A Porno. Rife with penis and poop jokes, it’s not really a departure from his entire Askew-niverse, but the film does hit some emotional chords that Smith had only really hit before in Chasing Amy. Granted, I wasn’t a big fan of Clerks 2 (although I loved the original), but I found myself really liking Zack & Miri.
In our in-depth interview, Kevin Smith talks about Jason Mewes’ penis and Ben Affleck’s reaction to it, dealing with the MPAA’s obsession with poop, and how this movie came together. He also talks a bit about his next project, Red State. Don your flak vests and kevlar helmets, because there’s quite a few f-bombs in here, as well as a slew of spoilers from Zack & Miri.
Believe the hype––at least, to a certain extent. Zack and Miri Make a Porno is Kevin Smith’s all-around high score for the current decade, and as a date movie for the demographic looking for a formula of 5% genuine romance underneath 95% poop and dick jokes, it’s way more fun than the film that made Seth Rogen a plausible leading man, Knocked Up. But what’s really exciting about it is its seemingly autobiographical subtext referencing Smith’s own career –– which, unfortunately, is thrown in the flaming trash can of traditional romantic comedy in the film’s final twenty minutes, but which nonetheless makes Zack and Miri seem more heartfelt than any View Askew production since Chasing Amy.
In a working class suburb of Pittsburgh, in the midst of a realistically icy, muddy, shitty winter, lifelong best friends and roommates Zack (Rogen) and Miri (Elizabeth Banks, finally proving to me that she’s a different person than Rachel McAdams) work menial jobs and are nowhere near being able to pay their bills. It’s the night before Thanksgiving, and all through the town, everyone’s bitter and desperate to get laid. (Side note: it’s interesting that Smith, currently at his most bloated in memory––before the film, he thrilled the crowd with a story of being so fat that he broke a toilet––has made his most convincing film about the frustrations of being skint.) At their exceptionally depressing high school reunion set to the pop hits of 1998 (Marcy Playground and MASE, finally playlist bedmates once again), Zack and Miri discover from a former classmate’s porn star significant other that they (and Miri’s pair of oversized granny panties) have become accidental YouTube stars. Zack has an epiphany: if people are already looking at their asses on the internet for free, why not get paid for it?
Trailer remakes seem to be all the rage now — the Dark Knightwith kids clip I posted last month is getting a lot of mileage lately — and this week Indy Mogul premiered its parody of the full Pineapple Expresstrailer, for a fake movie titled “Banana Express.” Here’s the quick synopsis: a gorilla (Seth Rogen) and his banana dealer (James Franco) go on the run after the former witnesses a zookeeper murdering a fellow gorilla.
It may not be the funniest thing you see this week, but you have to give them credit for attempting to “ape” the Pineapple Express trailer shot for shot (Indy Mogul links to the original trailer and welcomes you to compare the two videos) and for including their own parody of M.I.A.’s “Paper Planes” titled “Banana Peels & Bombs”, which can be downloaded from Indymogul.com. Think you could do better? In 36 hours? I’m anxious to see other trailer remakes and parodies, so bring ‘em on.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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