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FilmCouch #20

Paul Moore
By Paul Moore posted 2 years ago
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Interview with Christopher Smith director of Severance, a fall-down-funny-then-cover-your-eyes slasher flick opening in theaters tonight. The FilmCouch group reloads discussion on what makes a villain from FilmCouch 18, and somehow draws a connection between American Beauty and Star Wars. A 33 year old German film is more relevant today than ever–Ali: Fear Eats the Soul (1974), by New German Cinema pioneer Rainer Werner Fassbinder.

Download FilmCouch #20 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday.

Films under discussion:
Severance
Star Wars
American Beauty
Ali: Fear Eats the Soul

 
 Standard Podcast [23:53m]: Play Now | Download

Telluride followup with Bill

By posted 3 years ago
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I talked to Bill for the first time since he returned from Telluride. He shared with me some of his favorites. Here they are for you. (And if you’re out there reading SpoutBlog and you went to Telluride 2006, give us a holler and let us know a few things you enjoyed most.)

5 favorite films:

- Volver
- The Lives of Others
- Ghosts of Cite Soleil
- The Last King of Scotland (we recorded a conversation four of us had after the film)
- Severance (we did a podcast interview with the director)

4 interesting people:

- Chris Anderson (author of The Long Tail, which I’ve blogged about)
- Lisa Kennedy (film critic for the Denver Post)
- Kevin MacDonnald (director of The Last King of Scotland)
- Asger Leth (director of Ghosts of Cite Soleil)

3 favorite spots:

- Baked in Telluride (amazing cinnamon rolls)
- Siam (an amazing Thai restaurant)
- the gondola

2 memorable moments:

- the dinner at the Steinberg residence (being a sponsor gave us great access to directors and others)
- being told by a woman named Rosie that my Spout shirt was very cool and she had to have it, so in the interest of marketing I gave her the shirt off my back

1 way the festival changed you:

- I realized that good directors aren’t good necessarily because they’re the best storytellers. They’re good because they have many of the same qualities as good managers: they’re good leaders who are able to attract the best talent and then create an environment where they can do what they do best.