UPDATE: Karina initially accidentally posted this story under her name, instead of that of Lauren Wissot, who is the author. Please except her apologies for the confusion. Also, Young Karina did have a blue hair, black eyeliner & studded belt phase, but she was fairly careful not to get anywhere near a camera that year.
It was 30 years ago this week that Sid Vicious rang the death knell for punk rock, overdosing on heroin on February 2nd while awaiting trial for the murder of girlfriend Nancy Spungen. So in honor of the spike-haired rebel who was the face (if not the sound) of punk, and whose chaotic life ended at the tender age of 21, I present five punk rock films that really rock.
Suburbia
Suburbia was released in 1983, and though Sid Vicious had flamed out along with punk’s heyday years before, America’s hardcore scene was in overdrive with bands like Black Flag and the Dead Kennedys reinventing the music by playing at the speed of light, pumping up the adrenaline from coast to coast (and causing this minor threat to later consider the Ramones as slowpoke as The Beatles.) Director Penelope Spheeris, best known for docs like Decline of Western Civilization and her later forays into sellout Hollywood, thrillingly applied the original punk DIY ethos to filmmaking, using guerrilla tactics and nonprofessionals to create a time capsule of L.A.’s underground scene. In other words, the film not only documents punk, it is punk – and a must-see for a young punk as much as the latest Bad Brains album was a must-hear. In fact, I must’ve seen this film about a group of runaways who form a punk family a dozen times during my anarchistic teenage years, never sober and usually with my own extended, Mohawk coiffed, leather-and-chain-wearing family. Indeed, the image of lead character Evan kicking at white walls like a trapped animal, futilely trying to fight his way out of society’s cage, often would be the last I’d see before passing out next to a spike-toed Doc.
As if that IMAX preview of The Dark Knightweren’t enough, here’s the actual trailer for the Batman Beginssequel. It’s a perfect companion to the preview, because it’s all about The Joker. This time, though, we get to see more of Heath Ledger, without the rubber mask he wears for the bank heist. I guess there are a few shots in there of Christian Bale as Bruce Wayne/Batman, but really who could pay him notice? I think Maggie Gyllenhaal (replacing Katie Holmes) has more interesting screen time here (poor Ennis — first he has to deal with the death of Jack and now Jack’s angry sister is trying to beat him up).
Ledger’s interpretation of The Joker is said to be inspired by Sid Vicious (I wonder if his TDK co-star Gary Oldman had anything to say about that), but I don’t see much of that punk attitude, really. I’m actually seeing a combination of Charles Nelson Reilly and Tommy Lee Jones. And somehow, it’s absolutely perfect. Certainly I don’t want to say it’s any better or worse than Jack Nicholson — heck, I don’t even like to dismiss Cesar Romero’s take on the villain — so I’ll just go with the easy response and say … it’s just different.
In, uh, honor of the news that John Lydon is getting the Sex Pistols back together yet again (crabby aside: you’ve got to wonder if he’s going to feel as sentimental next year when the first PiL record turns 30), it seems like a good time to take a look at the above scene from Julian Temple’sThe Great Rock n’ Roll Swindle. It’s Sid Vicious’s rendition of “My Way”, and if you haven’t seen it before, make sure you watch it through to the end. Coincidentally, Temple’s latest doc, Joe Strummer: The Future is Unwritten, comes out on DVD in the UK today before hitting theaters in the US in November.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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