Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Darren Aronofsky’s Pi (1998).

Today’s story is a little shorter than the rest in this series, but it’s worth remembering because it involves another instance where one Sundance success directly resulted in the making of a later Sundance success (a la Slacker leading to Clerks). The earlier film in this case was Welcome to the Dollhouse, which Darren Aronofsky saw at the 1996 festival. In Peter Biskind’s book Down and Dirty Pictures, Aronfsky comments on the experience: “I thought it was such a unique, weird film, that it really gave me the courage to go back to New York and just try to throw something together.” That November he was in production on Pi.
…Read more

Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Kevin Smith’s Clerks (1994).

It’s only fitting to follow yesterday’s post on Slacker with the Sundance story of Clerks, since Kevin Smith was directly influenced by Richard Linklater’s film. And like Linklater, Smith nearly didn’t go to Sundance with his breakthrough indie, although in his case it was initially a matter of choice rather than rejection. According to Peter Biskind’s book Down and Dirty Pictures, Smith says about the decision, “We never even thought about Sundance. That was not a festival that we were meant for.”
…Read more

Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Richard Linklater’s Slacker (1991).

Richard Linklater’s breakthrough film, Slacker, almost never played Sundance. According to John Pierson’s book Spike, Mike, Slackers & Dykes, Competition Director Alberto Garcia “did not particularly like the film.” In fact, Linklater was initially rejected when he submitted Slacker for the 1990 festival, at the time still called the US Film Festival. So, that summer, he self-released the film in his hometown of Austin, Texas, with much success. But the biggest success was yet to come.

…Read more

In a post published today on Hulu’s official blog, Kevin Smith reminisces about his 21st birthday, which he spent driving from New Jersey to New York to see Richard Linklater’s Slacker. Inspired by J. Hoberman’s Village Voice review, Smith says, “the promise of a scene centered on a Madonna pap smear of questionable authenticity was bait enough to lure us from the Jersey ‘burbs into the wilds of Manhattan-after-dark.”

17 years later, thanks to Hulu, no one will ever have to drive an hour each way for the Madonna pap smear scene again. Slacker is embedded above.

Now that we know, courtesy of Stu at Defamer, that Werner Herzog’s remake of Abel Ferrara’s Bad Lieutenant is not so much a remake as it is like a new entry into a franchise, a la the James Bond movies, we at SpoutBlog wonder what other ’90s indie favorites could be continued with similar yet “completely different” installments.

I remember back in the day thinking that Clerks should be a franchise, each film focusing on a different crappy job experience, but now that Clerks II has come and gone, that idea will likely never be realized. Of course, the concept of sequels unrelated to the original aren’t new — just look at any sequel title substituting the number 2 (or II) with the word Too. But nevertheless, here’s a few suggestions for other crazy foreign auteurs to take into consideration:

1. Kids - Looking back, Larry Clark’s then-shocking debut is pretty tame. Nowadays you see teens doing worse things on commercial television. So, how about someone makes another Kids movie every decade or so to expose us to the latest generation of teenagers and how appallingly different they are from the previous generation. It would be like Apted’s Up documentaries, except it wouldn’t follow the same people.
   …Read more

Over at PopMatters, Charles Moss has posted a lengthy consideration of Michael Bay’s Transformers as a “Generation X” phenomenon. An excerpt:

Brian Goldner, Hasbro’s chief operating officer, realized that most of the boys who played with Transformers in the ‘80s are now adult men. He knew that we would be suckers for it. And we are. We’ve become nostalgia-loving adults who find it comforting to revel in childhood as a sign that we don’t take ourselves as seriously as our parents, the baby boomers, had. It’s not that we have refused to grow up, but like the transforming toys we loved so much, the transformation from childhood to adulthood is one which we want to take our time making, figuring out the right twists and turns, making sure every piece of our lives is in place.

Oddly, though Moss’s piece has much to say about slackers, it’s got nothing to say about Slacker.

Moss credits Kevin Smith with bringing “Generation X out of the fanboy closet with 1994’s Clerks, which started a string of films dealing with 20-something slackers who spent most of their time discussing the finer points of Star Wars or superhero sex,” but he doesn’t mention Richard Linklater. I don’t know about you, but to me it seems more and more like Linklater is the true stand-out director of that pack of early-to-mid 90s Sundance brats, the only one with the ability to speak to tendencies common to an entire generation, and not just the Jersey-based comic-gobbling wing of it (I actually wouldn’t want to knock Kevin Smith specifically–there are numerous other directors who could be cited for nailing one specific aspect of Gen X culture while failing to grasp the bigger picture, from Gregg Araki to Wes Anderson to–but Moss brought it up). …Read more