Apparently the new Sacha Baron Cohen satire Bruno has offended members of the Hollywood gay community enough to warrant reshoots. While this sounds about as legitimate as the G.I. Joe firing (which ended up being “untrue”), it’s still the hot story of the day and brings up the interesting topic of “queerface.” In an email tipped to both The Wrap and Nikki Finke at Deadline Hollywood Daily, Baron Cohen’s caricature is likened to blackface and argues that subversive intentions don’t excuse the grotesque level of mocking.

In a way I can see why the film might be unfair and even offensive to gays. Bruno could be the homosexual equivalent of Soul Man, albeit more direct and documentary-like, rather than the homosexual Tropic Thunder. Would it have been better received if Baron Cohen was gay? Probably. Will reshoots help? Who knows. Again, this may not even be a true story, so we’ll just have to see what happens when the movie hits theaters next month.

Find out what the rest of the film blogosphere is saying about this story after the jump:

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There is a good reason Hollywood continually makes Animal House wannabes and avoids producing films that actually focus on academia. Kids prefer their college movies to be about the fun stuff. And so a movie like Old School grossed $75 million while another Luke Wilson comedy called Tenure currently lacks a distributor. The latter film may also be hilarious, as a satire of the tenure process, but if it doesn’t concentrate more on beer bongs and naked co-eds, it won’t attract as big an audience. And according to some scholars, it may not even resonate with them, because it couldn’t possibly be what the process is really like. Film blogger and associate professor Chuck Tryon was quoted about the film last year as saying, “my ongoing pursuit of tenure typically involves me sitting in front of my laptop until 1 a.m., I don’t know how interesting that would be to watch.”

And evident by the scathing reviews from Sundance of John Krasinski’s Brief Interviews With Hideous Men, it appears another film about academia has failed to make a strong case for the subject matter. Too bad for the late David Foster Wallace, whose stories were adapted for the film, that Gus Van Sant wasn’t at the helm. A decade ago, in an interview with Van Sant, Wallace pretty much gushed that Good Will Hunting is the most accurate film about academia ever made. Do we agree with him? Let’s just say there’s not a whole lot of competition for such an honor. But in our attempt to recognize the ten best films about academia, Good Will Hunting doesn’t quite make the top spot.
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Yesterday’s list dealt with Tom Cruise’s performance in Tropic Thunder. Today, a response to Robert Downey Jr.’s role in the same film as a white actor portraying a black soldier in a war movie (seen in the above clip). Doesn’t it seem such an original and shocking idea? I guess not if you see it as an update on blackface. Fortunately, it’s different when it’s an actor playing a character who makes himself up to look black. It’s funny. But isn’t it typically more acceptable when the make-up isn’t quite as authentic-looking as Downey’s? He actually looks black. Specifically, he looks like Fred Williamson.

I’ve seen plenty of lists detailing the worst instances of one race or nationality playing characters of another race/nationality (John Wayne and Susan Hayward in The Conqueror comes to mind as #1), but I can’t recall any lists involving actors playing characters disguised as or playing another race. So here’s one:

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