The new action film sequel Crank: High Voltage is being advertised with the tagline “He was dead…But he got better.” Aside from sort of ruining the ending to the first Crank for those of us who haven’t seen it, this copy from the posters has been receiving a lot of attention for how ridiculous it sounds. Fans of the original have to disagree with the tagline, because they know Chev Chelios (Jason Statham) was not dead; in fact it is clear from the final scene that he miraculously survived that fall from the helicopter. Meanwhile, people less familiar with the movie simply find the idea of a dead character being resurrected for the benefit of a sequel to be laughably unacceptable, as if such an idea is unheard of in Hollywood.
But even if Chelios had been officially declared dead at the end of Crank, the sequel certainly wouldn’t be the first to revive a main character for a follow-up. Obviously horror films do it all the time, and it’s not exactly uncommon in sci-fi, fantasy, action and comic book genres, either. Even while ignoring the invincibility convention of contemporary slasher films, we were able to select six sequels in which a deceased (or presumed deceased) character returns.
Warning: Spoilers may be found after the jump.
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Earlier this week a slew of images from J.J. Abrams‘ Star Trek reboot, reimagining, redo, do over, what have you hit the web, and today an accompanying article from Entertainment Weekly talks to the actors and reflects on the footage shown to the magazine. Since we weren’t able to see that same footage (why not show it to everyone, Paramount?) we’re basically left to conjecture on the images themselves, and pat our inner fanboy on the back in consolation.
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Last year’s 2007 Comic-Con featured a massive Paramount Pictures panel, which did everything from give us a live broadcast from the set of Indiana Jones (where we found out Marion Ravenwood was in the picture), to introduce both Leonard Nimoy and Zachary Quinto as Spock in the new Trek film. However, Paramount’s only presence this year was a Tropic Thunder screening outside the Con, and some freebie Trek posters on the show floor. Where was the most cinematic representation of the Comic-Con audience to be found?
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