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10 Worst Orgasms in Movies

10 Worst Orgasms in Movies

Christopher Campbell
By Christopher Campbell posted 4 months ago
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In the 76 years since Hedy Lamarr came on the scene with her groundbreaking orgasm in the Czech film Ecstasy, we’ve seen countless onscreen simulations of sexual climax, few of which have been more awful and embarrassing than the one depicted in the new romantic comedy The Ugly Truth. The scene (watch it here) features Katherine Heigl’s character having an awkwardly pleasurable dinner meeting thanks to some vibrating panties and an unknowing kid in possession of the undergarment’s remote control.

Obviously it evokes all previous dining-scene-set orgasms (there have been plenty), but the bit in The Ugly Truth probably wouldn’t seem fresh or funny even if there were no precedent for scenes of its kind. Though indirect, the fact that it’s a preteen boy causing the orgasm makes the moment a little disturbing, as well. We’re sure that some moviegoers will find humor in it, but we came away from the scene feeling displeasure proportionate to the ecstatic pleasure experienced by the character.

After the jump, we take a look at ten other orgasms in movies that make us completely uncomfortable.

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10 Movies That Made ‘Get Smart’ Obsolete

Christopher Campbell
By Christopher Campbell posted 1 year ago
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The best time for a Get Smart movie would have been the late ’60s, when the original television series was still on the air. In fact, there was a theatrical Get Smart film in the works during the run of the show, but it was canceled when the theatrical release of Munster, Go Home! bombed at the box office. Many years later, in 1980, a Get Smart feature titled The Nude Bomb was released to theaters, but it also performed poorly.

Now we’re getting a remake version starring Steve Carell in the role that was so iconically defined by the late Don Adams. Will it do the show justice? Reportedly the budget was $80 million, a significant amount of which was probably put towards pointless effects. But the best thing Warner Bros. could have done with that money is to give a large amount to series creators Mel Brooks and Buck Henry, who probably even today could churn out a better script than Failure to Launch scribes Tom J. Astle and Matt Ember.

Despite its lack of original Get Smart talent, though, it could still be marginally funny. Yet the real problem is that it may be too outdated and obsolete for audiences to care. In the four decades since the show went off the air, there has been plenty of similar-themed movies, from spy spoofs to films with bumbling heroes. The following ten titles are the best evidence of why this new Get Smart movie is completely unnecessary:

  1. Austin Powers: International Man of Mystery - It’s interesting that Get Smart is going up against a Mike Myers movie this weekend, because in a way it’s also going up against Myers’ Austin Powers movies, as well. Sure, spy parodies have been around in spades since around the time of the first James Bond movie, but nothing has been as popular as this series, which of course includes the much bigger-grossing sequels, Austin Powers: The Spy Who Shagged Me and Austin Powers in Goldmember.
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The Simpsons Go To Sundance. Clip of the Day.

Karina Longworth
By Karina Longworth posted 1 year ago
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I haven’t watched The Simpsons regularly in years, but I got a couple of text messages alerting me that last night’s episode, which follows Lisa (whose talent President Skinner assesses equates to “as if Ingmar Bergman and Penny Marshall had a baby), as she makes a documentary called Capturing the Simpsons, and then takes the film to Sundance.

Matt Dentler points out that the entire episode is already up on my beloved Hulu, via which it’s now embedded above. It’s full of some pretty great festival-centric jokes. My favorite: Lisa’s film is chosen during a scene in which a character who looks a little something like Geoff Gilmore throws a can of film into what looks suspiciously like the fireplace in the lobby at The Yarrow, AKA Sundance press and industry homebase. Also good: Marge walks into a theater playing a film called Candyland under the assumption that “a great family game is now a great family movie”, only to find junkies on screen getting ready to shoot up. “Oh, I get it,” Marge says. “Every title means the opposite of what it means!”