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5 Independent Films That Dared Open Independence Day Weekend

5 Independent Films That Dared Open Independence Day Weekend

Christopher Campbell
By Christopher Campbell posted 4 months ago
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July 4th weekend is typically reserved for huge blockbuster releases, particularly those starring Will Smith and/or showcasing America as a force not to be messed with (against aliens or the British). Very, very rarely does an independent release even bother trying to go up against the studios during the big holiday. For example, the only option for an American indie we have this weekend is IFC’s wrong-holidayed I Hate Valentine’s Day, which is uneventfully the second Nia Vardalos movie in a month. And this year we don’t even have the usual sort of event movie debuting on July 4th weekend. There’s just Public Enemies and Ice Age: Dawn of the Dinosaurs. Boring.

Isn’t it ironic that independent films can’t open on Independence Day? It would make sense for there to be a number of good U.S.-produced indies opening this week, going up against the big guys with their American spirit (including their disregard for broad, worldwide marketability) and evidence of the American Dream come true. Wondering if there have ever been great independents released at this time of year, we took at look at the last 30 years of cinema and found only a few significant titles.

See what little (American) films bucked the 4th of July weekend release system after the jump:
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10 Underrated Bill Murray Roles

10 Underrated Bill Murray Roles

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Everyone loves Bill Murray, but only the die hard fans recognize the majority of his work. The rest, unfortunately, concentrate too much on his greatest films, such as Stripes, Ghostbusters, Groundhog Day, Lost in Translation and all of his collaborations with Wes Anderson. Yet while each of these films, and Murray’s roles and performances in them, are certainly deserving of their preferred and predominant praises, Murray is the kind of actor who is so talented and entertaining that he can be enjoyed in even the worst movies on his resume. In fact, he’s probably the only A-lister who could lend his voice to a bastardized CG version of a beloved cartoon character and get away with barely any contempt from his devotees.

This week, Bill Murray makes an appearance in the new kiddie sci-fi flick City of Ember as the selfish mayor of a doomed underground metropolis. And it’s sure to be one of his less-appreciated roles, whether because it’s in a children’s movie, because it’s a supporting part in an ensemble filled with many talented actors, or because it’s not Ghostbusters 3. But those who really love Murray will likely flock to the movie primarily to see him, just as they did and do for the rest of these movies with underrated Murray roles:

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Trade Roughage 1/23/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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The combo of last week’s DGA contract agreement and yesterday’s announcement of the Oscar noms may have set the WGA in a new direction towards ending the writer’s strike. Yesterday afternoon the WGA announced it had withdrawn demands for jurisdiction over reality and animation, which the AMTPT was dead against recognizing. The two sides are reportedly meeting together today.

  • Even if the strike is not over in a month, let alone today, there will still definitely be an Oscar telecast. It will be heavy on clips honoring the past 80s years of cinema, according to Gil Cates, who compared the strike to the presidential race.
  • As far as the Oscar-nominee responses go, the most noteworthy are those of Julian Schnabel, who is sorry The Diving Bell and the Butterfly didn’t get a Best Picture nod but who feels he could one day have his Departed moment, and Jason Reitman, who points out that if he can be nominated for directing Juno then his father, Ivan, should have been nominated three or four times (sure, for Ghostbusters, Dave and Stripes, but what would be the fourth? Father’s Day?). It made me think of the above scene from papa Reitman’s Kindergarten Cop.
  • 2008 Oscar-nominee Michael Moore is making a stand on the issue of documentary and foreign film exhibition, stating that his new year’s resolution is to sit down with theater owners and urge them to reserve one auditorium per multiplex devoted to specialty films. Hopefully he’ll document it, and one day we can sit in that auditorium and watch the result.
  • The fate of Terry Gilliam’s The Imaginarium of Doctor Parnassus has not been officially announced yet, but Variety points out that Heath Ledger’s involvement in the movie was integral to its financing. I doubt the film could easily replace the late actor and go back and reshoot all of his scenes, but I also hope Gilliam isn’t left with another unfinished work (ala The Man Who Killed Don Quixote). Could Gilliam & Co. go the route of The Crow and digitally add Ledger’s face to a double?