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Sundance Stories of Yore: Shine

Christopher Campbell
By Christopher Campbell posted 10 months ago
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Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Scott Hicks’ Shine (1996).

1996 was a monumental year for independent film. It began with a Sundance Film Festival that, according to Peter Biskind’s book Down and Dirty Pictures “would go down as Ten Days That Shook the Indie World,” because of the tremendous buying frenzy that occurred, including the infamous acquisition of The Spitfire Grill by Castle Rock for $10 million. The year then transpired with a slew of popular specialty titles that boosted business at many arthouse multiplexes while also exposing them as being unsuited for large crowds (the boom in indie film attendance was something I experienced first hand, having that year begun my first career at NYC’s Angelika Film Center). And the year ended (in 14-month Hollywood terms) with an unprecedented number of specialty films receiving nominations for Academy Awards.

Most astonishing, certainly, was the fact that four of the five Oscar nominees for Best Picture were specialty titles, one of which had been discovered at Sundance. The film, Shine, might not have had a chance at such an honor, however, if Miramax and Harvey Weinstein had gotten their way.
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Our Favorite Jeffrey Wells Moments in 2008

John Lichman
By John Lichman posted 10 months ago
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via Hollywood Elsewhere

It is a crime in this day and age not to occasionally check in on Jeffrey Wells’ Hollywood Elsewhere, with topics ranging from billboard photos, blind item brunches and oddly angry political rants against apathetic teenagers.

Wells is a classic mix of online reactionary and keen insight, peppered with various “what the fuck” moments and the occasional non sequitur involving Paris Hilton and Al-Qaeda. To ring in the New Year, let’s take a quick look back at our favorite blogged remarks from the man who confused Mike D’Angelo with Ed Gonzalez, and whose random photos of restaurants and lawns oddly resemble–for lack of a better term–art. Also, any use of bold is for emphasis and my own editorial comments are in italics.

Happy New Year, Elephants
On New Year’s Eve, it sounds like Jeff was staying at a raucous party house in one of the Boroughs (Manhattan, Brooklyn? Who can tell these days.) Conditions were so bad that he was sadly driven to bar-hopping due to his neighbors:

I live below a family of animals — Hispanic party elephants — who stomp around and play music so loud that the building throbs and the plaster cracks. It’s a fairly safe bet they’re going to lose their minds tonight so I may as well just huddle down in the city and bounce around from bar to bar.

Follow-up in the comments from Wells:

People with a little class and breeding and a college degree don’t tend to be as noisy or boisterous or loutish as the commoners, cretins, galumphs, bad dressers, etc. The lower end of the gene pool. T’was ever thus.

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Sundance 2008: The First Sales

Karina Longworth
By Karina Longworth posted 1 year ago
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Neither the press nor public screenings have yet begun, but indieWIRE reports that there have already been two sales here at the Sundance Film Festival. Up the Yangtze, a much-buzzed-about documentary by Yung Chang about the construction of a super-sized hydroelectric dam on the the ancient river and its effects on the lives of those living alongside it, has been acquired by Zeitgeist for release in April. Meanwhile, the festival’s closing night film, the Crosby, Stills, Nash and Young concert film CSNY Deja Vu, has been picked up by Fortissimo.

In other news, the Spout team is in Park City and ready, as our banner ads promise, to crash Sundance. We’ll start posting reviews late tomorrow, but check back later today for the first installment of our video coverage of the fest, produced by Ronnie Bronstein and Joe Swanberg of Butterknife.