This article is filled with sour notes about the state of Batman video games, but if you want some pure audio delight, click here to listen to Frank Gorshin (he played The Riddler on the Adam West Batman TV show) sing “The Riddler.” Awesome.

Batman is known for vanishing into the night in order to instill fear into his foes, and to confound Commissioner Gordon who always wonders how he disappears so quickly. However, his video games are also known for leaving store shelves just as quickly and quietly. Is that why there’s no Dark Knight video game? Commission Gordon himself, looking a bit like Garth from Wayne’s World, was shown a tiny bit of the game, as you can see in this clip… so where is it?

It’s no secret that video games based on the Batman franchise have been anything less than lackluster. …Read more

It’s funny how out of control a rumor can spin on the web. The Angelina Jolie as Catwoman “news” has to be at the top of the list of most reported unconfirmed rumors ever. And it’s sad that it’s not actually true, because after seeing Jolie in the dominatrix outfit she wears at the beginning of Mr. and Mrs. Smith, I’d be perfectly fine seeing her wear another tight black costume for a possible third Christopher Nolan-directed Batman movie.

But who instead could play the part, if Jolie is indeed not interested, or not even offered the role (or, obviously, if Catwoman is not in the movie, as screenwriter David Goyer has apparently hinted)? One theory says that Maggie Gyllenhaal will return in the follow-up to The Dark Knight, this time donning a catsuit (Graeme at io9 strongly disputes the idea). Another terrible suggestion is to cast the too-cute Zooey Deschanel as the villainess. A far more interesting recommendation, from Catherine Bray, is Tilda Swinton. But I think the character needs to be a little sexier. Plus, I want to dismiss Bray’s idea on the principle that it’s included in the DenOfGeek list, which consists mostly of the usual hot young actress ideas that probably get thrown around for every casting decision like this.

I’m actually shocked that Eva Green wasn’t anyone’s pick, as she’s one of those hot young actresses, and she’s done the “good and bad at the same time” thing in Casino Royale. She was even part of my list until a better candidate edged her out, mostly on the idea that we don’t need to see her replay Vesper Lynd in a Catwoman costume. So, who did make the cut? Check out my 10 favorites, in descending order, after the jump:

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Just when we thought it couldn’t get any worse for The Spirit than that last trailer, the film’s Comic-Con panel seemed to verify that it’s going to be a disaster. Writer-director Frank Miller, producer Deborah Del Prete and actors Gabriel Macht, Samuel L. Jackson and Jaime King led us through the literal mud:

Highlights:

- The Spirit is claimed not to be campy, but it does apparently have toilet humor

- It’s set in a film noir-era “nevertime” yet there are cell phones

- Will Eisner probably would have disagreed with some of the scenes

- Get ready for one of the worst “underwater” scenes you’ve ever witnessed

- Jackson has a lot of toys of himself, but his favorite is Mace Windu

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Even though some of last year’s Comic-Con secrets were leaked to the web ahead of time, the 2007 SDCC was a huge deal as far as revelations go. Whether it was the unveiling of Karen Allen’s involvement in Indiana Jones and the Then-Still-Not-Subtitled Fourth Installment or cast updates for Watchmen and Star Trek or a bit of clarification on what the hell that Cloverfield movie was, Comic-Con 2007 left us super excited and highly anticipatory for the next year of movie releases.

But after a quick glance, the 2008 convention doesn’t seem like it will have as many big announcements. There should be plenty of new footage shown from movies like Watchmen (making its second Comic-Con round) and The Spirit (hopefully there’s some better looking stuff than the most recent trailer gave us), but what secrets are set to be let out of the bag?

Here’s 10 things I hope they reveal over the next few days:

1. Arnold Schwarzenegger is back in Terminator Salvation - If this really happens, I’ll be flabbergasted. But a guy can hope, at least for official word on a cameo. And there’s no better place than Comic-Con for a confirmation to happen. Well, I guess if Warner Bros. could keep it a secret until the movie opens next May, then that would actually be better. But that’s impossible nowadays.
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The Dark Knight is hands down the best Batman movie yet, but has Christopher Nolan painted himself into a corner by using up the only viable Batman villains? Most of the Batman villains left are either too campy (the Penguin, the Ventriloquist), depend too much on flexible comic book logic (Clayface, Killer Croc), or are just watered-down versions of the Joker (the Riddler, the Mad Hatter).

Tim Burton’s Batman featured The Joker (Jack Nicholson) for good reason. The Clown Prince of Crime, always Batman’s most threatening foe, represents (among many things) an unwillingness to take human life seriously. In that moral void his vibrant personality explodes like a fireworks display of mania, menace, and eccentricity. The Joker is the calling card of chaos and evil at its sexiest. Batman isn’t the reason we watch Batman over and over again, the Joker is. Of course Michael Keaton brings gravitas to Batman, but let’s face it–as sweet as Batman is, he’s just not good company. Ever notice how passengers in the Batmobile feel like they’re at the end of a bad date? …Read more

It’s been almost two weeks and Hancock has grossed almost $350 million, so it’s time to start the academic discussions — with spoilers, of course (anyone who wants to avoid knowing the “twists” should discontinue reading now). Maybe it’s just the film scholar in me, but I have been desiring a good analysis of the film’s allegorical meaning since viewing the less-than-perfect superhero movie last week. While others may feel that the movie is hardly worth reading into (especially over-reading, as I’ve always felt my M.O. to be) or that it’s too obvious that the first half is really about the role of the U.S. as a superpower, I’m nevertheless eager to figure it out.

Basically, I’ve been wracking my brain trying to understand where the allegory goes, or was meant to go, once Charlize Theron’s character is introduced as Hancock’s super-powered wife. Does she somehow fit in with or in response to Hancock’s representation of America (the patriotic name, the eagle emblem on his uniform, etc.)? I’m still at a loss, but I’ve come up with 5 possibilities (some a lot less likely than others) for what screenwriters Vincent Ngo and Vince Gilligan intended for her character to be.

1. The United Kingdom - So sue me if part of my reasoning is inspired by Theron’s role on Arrested Development, in which she also seemed to be harboring a secret from beau Jason Bateman (if only Hancock had stolen Jeffrey Tambor from Hellboy II, it could have been considered a reunion), but if Hancock represents America, then Mary (Theron) is some other superpower, right? I don’t recall any hints that she signifies the Soviet Union, so she must be a stand-in for the British. Is her desire to be a housewife representative of a desire by the British to no longer be a world-stomping empire? Is Mary’s defending of the French boy a nod to Britain-France relations in contrast to U.S.-France? But then is the movie also saying that the UK and the U.S. are less powerful when united together? History would say otherwise.
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Will Smith’s new superhero movie, Hancock, may be receiving terrible reviews, but it’s sure to make a lot of money. It is a Will Smith movie, after all. The fact that it’s an original superhero title (meaning not adapted from a comic book or other source material), however, means that if it is a success, it will be the rare movie of its kind to be such. Superhero movies may be huge right now, but really only the pre-sold properties, those with a build-in audience, make the big bucks.

A number of original superhero movies are just as worthy of your attention as the Spider-Mans, the Iron Mans, the Batmans and the X-Mens. Sure, much of the time, non-adapted superheroes are lame, as in the cases of Blankman and My Super Ex-Girlfriend. But just check out any of the following ten titles and see why it sometimes pays off to put your trust in an unfamiliar hero.

1. The Incredibles - This one did it all: won an Oscar; received favorable reviews across the board; did blockbuster business in theaters and ancillaries (its the sole original superhero movie to break $100 million, domestically, a feat it far surpassed by actually grossing more than $260 million); and featured the single greatest superhero gag (above) ever seen. So there’s proof that a superhero movie can be good and do well without being based on another property. …Read more

“The opening 20 minutes of Dai Nipponjin are the most boring 20 minutes in the history of cinema.” That’s Grady Hendrix, selling one of the films he’s selected for the New York Asian Film Festival (the final lineup was just released today), on this podcast at The House Next Door. If that doesn’t have you marking your calendars, allow Grady to continue:

The first 20 minutes are like, him shopping, him complaining about how his wife divorced him and how he hates his job and his government salary isn’t very good, and he’s just this idiot…and then they pump 50,000 amps through his nipples and he turns into this giant super hero in purple underwear and beats up monsters…This is like the porno version of Cloverfield. You find out what happens when giant monsters go into heat. Which isn’t pretty.

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Standing outside the Paramount Theater in Austin, TX, opening night of the 2007 SXSW Film Festival, Paul and myself caught up with the producer of Confessions of a Superhero as well as a couple of the film’s stars, Superman and The Hulk.