We’re so amazed by the stellar reviews of Harry Potter and the Half-Blood Prince (if not for Manohla Dargis, Rex Reed and Wesley Morris the top critic score on Rotten Tomatoes would be 100%), that we wondered if it’s the best-received sixth installment of a series ever. And from what we can tell, until some late-come party crashers show up to ruin things, it appears to be nearly true.

Of course, it’s not like there was much competition from past franchises. By the sixth movie most film series are cheap, tired and nearly void of remaining followers. However, there have been a few worthwhile Part 6s, enough to show us that it’s sometimes acceptable for Hollywood to keep going with a film property (even without the excuse and benefit of a popular long-running book series).
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July 4th weekend is typically reserved for huge blockbuster releases, particularly those starring Will Smith and/or showcasing America as a force not to be messed with (against aliens or the British). Very, very rarely does an independent release even bother trying to go up against the studios during the big holiday. For example, the only option for an American indie we have this weekend is IFC’s wrong-holidayed I Hate Valentine’s Day, which is uneventfully the second Nia Vardalos movie in a month. And this year we don’t even have the usual sort of event movie debuting on July 4th weekend. There’s just Public Enemies and Ice Age: Dawn of the Dinosaurs. Boring.

Isn’t it ironic that independent films can’t open on Independence Day? It would make sense for there to be a number of good U.S.-produced indies opening this week, going up against the big guys with their American spirit (including their disregard for broad, worldwide marketability) and evidence of the American Dream come true. Wondering if there have ever been great independents released at this time of year, we took at look at the last 30 years of cinema and found only a few significant titles.

See what little (American) films bucked the 4th of July weekend release system after the jump:
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Though the third Fast and the Furious installment, Tokyo Drift, wasn’t a huge box office disappointment with its $63 million domestic gross, it was significantly less successful than its predecessors, The Fast and the Furious ($145 million) and 2 Fast 2 Furious ($127 million). A fourth film would normally see an even bigger drop in box office receipts, but next week’s Fast & Furious has a good chance of actually being the highest-grossing film in the series yet, due to the return of original cast members Paul Walker, Michelle Rodriguez, Jordanna Brewster and, most importantly, Vin Diesel.

With the expectation that Fast & Furious will be enough of a hit to save the franchise, we take a look at ten other films that similarly kept their respective series going, either because of an increase in profits or a surprising increase in quality, following one or many disappointing installments.
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We at SpoutBlog love Jon Hamm tremendously, but we don’t get to write about him much because we’re primarily a film blog and don’t feature much discussion of either Mad Men or 30 Rock (we’ve slipped praise into posts here and there, of course). Fortunately for us, Hamm has made a new video for FunnyorDie.com, in which he references movies. Specifically, he portrays Lex Luthor and alludes to plot points from Superman: The Movie, Superman Returns and even Superman IV: The Quest for Peace.

And as if this video (watch it after the jump) weren’t funny enough, we can now hopefully look forward to Hamm appearing in more Judd Apatow-related comedies — at least if the guys at Vulture have any influence. Or, maybe Hamm could actually be cast in a future Superman movie (was this video a response to requests for Warner Bros. to make him the new Man of Steel?), as either hero or villain — or both!?!?

Again, check out the clip and what other bloggers (some TV bloggers, but whatever) are saying about it after the jump:

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One thing you have to love about the fanboys, they’re always a glass-half-full kind of people. Whenever one of their beloved movies gets ripped apart by critics, they point to the box office results with pride. Critics are meaningless, they remind us, because Transformers and the Pirates of the Caribbean sequels and the Star Wars prequels made so much money. And now, with their Watchmen having received both mixed reviews and a relatively disappointing opening weekend, they’re still defending its success to the end. Drew McWeeny of HitFix said it best in a Tweet this morning: “Box-office talk is absolute death to me. I just don’t care. It got made. I liked it. I win.”

McWeeny may not exactly be the king of the geeks, but he does inadvertently represent them today. Because whether or not Watchmen has technically underperformed (or “failed” in any way) should not be their concern any more than the negative reviews (or our list of reasons claiming the comic adaptation is unnecessary). But if they are going to use the defense that the box office doesn’t matter, they aren’t allowed to celebrate grosses this summer when Transformers: Revenge of the Fallen receives bad reviews yet still has a strong opening.

More on the debate on the topic of Watchmen’s success or failure after the jump.

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We have less than three weeks until Iron Man opens in theaters, but the way people are talking about the film today, that might be too long. Regardless of how subversive the comic book adaptation may be (check out Paul’s thoughts from yesterday), or otherwise how intelligent a blockbuster it is (according to an exhibitor, quoted here by Anne Thompson), or how “pretty darn amazing!!!!!” it is to a more mainstream, don’t-care-if-it’s-intelligent-as-long-as-it’s-awesome crowd (such as includes those who send reactions to AICN), the fact of the matter is that we may have already accepted the movie as all these things well before even seeing the whole thing. The big, hairy guy from Ireland, Karl Hungus, sums up his feelings of saturation, sparked by this latest hero-becomes-familiar-with-his-powers clip, on his blog (via IMDb):

The problem is, with all this cool stuff being flung at us, is there going to be any cool left to blow us away when the film finally hits? I know, this isn’t the first time I’ve said this, but there’s just so many new promo shots and trailers/TV spots being published, the main villain being revealed, the clips with the tank, battles being shown and now a lot of the development of the armour as well, my worry is growing that the final product will be ruined.

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