When Lars von Trier claimed to be suffering from depression two years ago, I assumed the illness was caused by his (then) most recent film, The Boss of it All. Not only didthe office comedyfail to make as much noise as his prior features, but it actually earned a lot of favorable reviews. Some even called it (gasp!) enjoyable. For a guy used to polarizing critics with his often controversial and groundbreaking movies, that reception had to be tremendously dissatisfying.
But the filmmaker is back at Cannes this year, and I mean back. His latest movie, Antichrist, is apparently as audacious, shocking and misogynistic as everyone expects von Trier’s work to be. And even though it’s getting a lot of negative reviews, it’s still the talk of the festival this year. No wonder the filmmaker is looking so jolly in photos from Cannes; the attention, both good and bad, must be doing wonders for his mental health.
Nobody from Spout has seen Antichrist yet, unfortunately, but don’t doubt we’re trying. Desperately. And we know you’re looking forward to Karina’s take as much as The Brothers Bloomdirector Rian Johnson is. Today he Tweeted: “Waiting for @KarinaLongworth to see & review Antichrist the way a drunk man waits for a hint of blessed equilibrium.” She responded that she hopes to prove male reporters wrong in their belief that no woman will like it.
While we wait for her anticipated response, we’ll just have to settle on reading other reviews from around the blogosphere. I’ve highlighted some of my favorites, both positive and negative after the jump:
Anthony Kaufman points to this profile of Lars Von Trier in the Telegraph, occasioned by the UK release of the filmmaker’s last, brutally underrated feature, The Boss of it All, in which we learn that Von Trier is apparently in need of paying the mortgage aiming to put at least one more conventional English-language film in the can before continuing with the Dogville/Manderlay trilogy. His next project, called Antichrist, is described thusly:
…a “psychological thriller that evolves into a horror film”. It features one man and one woman, yet to be cast, will be shot in Germany and in English this summer and deals with the favourite Von Trier topic of cruelty between the sexes: “You have to guess who is the Antichrist,” says its producer, Meta Louise Foldager, mischievously. Von Trier is testing ways of manipulating the image in it.
So there’s that. While we wait, you can watch the “blooper” reel from the video Von Trier shot for the theme song to his TV series, The Kingdom. I’ve seen this thing 100 times, but it never fails to make me laugh.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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