The new trailer for Where the Wild Things Are is such a phenomenon today that I’ve even seen celebrities excitedly Tweeting about it (and by celebrities, I mean specifically Rob Corddry). Actually, I think the majority of people I follow on Twitter have squeezed out a gushing statement in 140 words or less. That is, except me (don’t I technically follow myself?). Sure, I’m looking forward to the movie, as a fan of Maurice Sendak and a fan of Spike Jonze and a fan of Dave Eggers, but I don’t think the trailer looks that incredible. And the parts that do look really great remind me of how amazing the trailer for Benjamin Button looked. Remember what happened with that?

Maybe it’s my usual distaste for computer-generated characters; yes, I’d honesty be happier if the Wild Things were made by the Jim Henson Company and all looked like Sweetums from The Muppet Show. I do believe the film includes “suitmation” and animatronics, in addition to CG, but much of what I noticed in the trailer was the computer stuff, and I’m sad to say that, unlike all the commenters at FirstShowing.net, I can’t yet label this as an “instant classic.”

Let’s see if there are any bloggers who agree with me after the jump:

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Late last month, Nike unleashed the latest movie-themed sneaker, a yellow shoe with brown fur coming out of the top inspired by Teen Wolf (never mind that in the film the title character wears Adidas). Between this and the recent Back to the Future Part II tie-ins, Michael J. Fox seems to be a big influence on the world of sneaker collecting, and so it may only be a matter of time before we see Nike unveil a Doc Hollywood design.

Actually, it may only be a matter of time before we see a lot of film-inspired shoes we wouldn’t expect. Already, Nike has sneakers tied to Ferris Bueller’s Day Off, A Nightmare on Elm Street, Friday the 13th, Willy Wonka and the Chocolate Factory, Goodfellas, The Empire Strikes Back and Pee-Wee’s Big Adventure. Add to these Adidas’ Tron shoes, Puma’s The Goonies and Japanese Monster shoes and Slip-Off’s custom-designed Vans inspired by Fight Club, Star Wars, Napoleon Dynamite, Anchorman, E.T. and The Life Aquatic With Steve Zissou .

So, in order to beat the shoe companies to the punch, SpoutBlog has picked ten movies that deserve their own sneaker design. Most of these are quite literal and obvious, but it’s just a starting point. What other movies would you like to see make their way to your feet?
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Netflix and Film Independent got a jump on the deluge of independent filmmaking news that will be coming soon via Sundance by announcing a new independent film contest today that will be chaired by Josh Brolin and judged by Brolin, Dan Jinks, Bruce Cohen, and Dustin Lance Black.

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Earlier this month, Production Weekly reported that Alex Cox and David Lynch would begin shooting their Repo Man sequel, titled Repo Chick, next month. Fifteen 25 years after the release of the first movie, Cox revealed that it’s a timely revisit, as the new movie will “unfold against the background of the credit crunch and the subprime mortgage crisis in the US, where repossessions of homes, cars and other forms of property is at a new high.”

Coupled with the recent announcement that John Carpenter is producing a remake of his own They Live, the news of a second Repo Man film has us wondering what other ‘80s cult classics should appropriately be remade or revisited now that the economy is shit again. Depending on your definition of “cult film” (many people call Ghostbusters a cult classic), some of the selected films may not be fitting for that term. Regardless, the following ten movies, if redone today, would have definite relevance to these troubled times.

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It’s more difficult to be convincing as a real person when acting on film than on the stage. The camera can get closer and your image ends up projected many times larger than life size. So, despite giving a Tony Award-winning performance as Richard Nixon in the theater version of Frost/Nixon, Frank Langella was not initially thought of as worthy to reprise the role in Ron Howard’s movie adaptation of the play. Part of it was that he’s not a big name, but another reason was that he looks nothing like Tricky Dick.

Ultimately, Langella did get the part, and while he doesn’t resemble the former president, he apparently does a bang up job in the role. But the transition could easily have been as awkward as Ralph Bellamy’s reprisal of his Tony-winning portrayal of Franklin Roosevelt in Sunrise at Campobello. In the film version of that play, Bellamy’s vocal impersonation comes off more like a Scottish brogue (he sounds exactly like Sean Connery, in fact) than FDR’s signature “Locust Valley lockjaw.”  Instead, Langella is on track for an Oscar nomination, and is sure to join the following actors who also gave convincing performances as world leaders.

As a handicap, SpoutBlog has limited the selections to modern era leaders whose real persona exists on film/tape and are therefore more easily comparable to actors’ representations.
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I’m sure that David Wain was just joking when he told MTV Movie’s Blog that there’s been talk of a musical adaptation of Wet Hot American Summer. But that hasn’t stopped me from thinking about it in depth. At first I was really excited. From the very beginning I’ve loved both the movie and its soundtrack (which I had to hand craft, since an actual WHAS album doesn’t exist) and would definitely be interested in seeing the whole thing acted out on stage. But now I’m realizing its a bad idea, and I’ve included that van crash scene as a metaphor for the concept. Sure, I would love to see the movie acted out on stage, but in the same way I loved watching my buddy play “Data” in an off-Broadway musical version of The Goonies. And in the same way I’d love to see the Con Air and Mystic Pizza musicals starring the fictional Jenna Maroney (winner of a NYC film critics award for Best Actress in a Movie Based on a Musical Based on a Movie). But is it something I can see really being any good? Not at all.

As much as I can imagine a singing can, and as much as I’d love to hear Paul Rudd sing a song about “Lindsay” tasting like burgers or about what a pain it is to clean up after himself or about his journal (pronounced gurnal — and rhymes with infernal, in case the lyricist is reading), I just couldn’t see all the characters, subplots and jokes making their way sufficiently onto the stage. And as the van crash is my most favorite gag in the film, I’d hate to see it unused (or used, since it just wouldn’t work the right way). Then again, if Wain and company could find a way to make it all fresh and have new, more theatrically appropriate humor, I would be first in line. And speaking of new material, how exciting is it that Wain (hopefully telling the truth) says he might shoot some kind of “new addendum” to the film for an upcoming special edition DVD? I’m suddenly not feeling as sorry that I lent my original WHAS DVD to a friend who never returned it.

Anyway, I don’t know if this is a coincidence, or if it’s even worth sharing, but tonight I was already planning to fondle some sweaters fondue with cheddar. I swear it’s true!

• Mick LaSalle asked us last week what movie we would like to be inside (instead of Beowulf, which we can sort of feel like we’re in). Personally, I think being inside The Wizard of Oz would be awful. I might even prefer The Wiz, and I’d hate to be in The Wiz. I’d even prefer to hang out with Fred Savage in The Wizard, and I don’t play video games. My answers: anything Capra (well, almost anything — no Why We Fight docs); anything Marx Brothers; anything Muppets; anything Miyazaki; Amelie; Close Encounters of the Third Kind; The Goonies (why not?); and What Dreams May Come (the movie was bad; the setting was beautiful).
• In honor of me writing more about Enchanted than Karina ever would dream of, I present Rob’s review from his I don’t like Renee Zellweger blog, to show I’m not the only blogger addressing such mainstream fare. Like me, Rob found the movie to be “uninspired,” though he was apparently “disappointed” (I had a low expectation to begin with) and even notes that Amy Adams might have another chance at an Oscar (she’s cute, but ultimately annoying — though differently than she was in Junebug). Anyway, shockingly, the movie currently has a 100% approval on Rotten Tomatoes. We’ll see if that lasts. If only more of us bloggers were writing about it …
• Apparently if you have a video clip of yourself negatively reviewing a 20th Century Fox release, the studio will have it removed, despite it being neither illegal nor their place to do so.
• Are long movie titles bad for box office? Only when they’re abbreviated as diseases. “Cholera” = bad. “Pirates”; “Narnia”; “Harry Potter” = good.
• iTunes seems to have screwed up its exclusive release of Ed Burns’ Purple Violets. It seems available now, though, so I can’t verify the blunder. Scott at CinemaTech shares his experience, at least.
• I love t-shirts, and I love this design, but weren’t there movie adaptations before 1920?