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Guillermo Del Toro’s Ten-Year Plan. Trade Roughage 09/04/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • Following his five-year commitment to the two-part Hobbit movies, Guillermo Del Toro already has enough projects lined up to keep him busy and us entertained through the end of the next decade. In his pipeline are new, more faithful versions of “Frankenstein,” “Dr. Jekyll and Mr. Hyde,” and “Slaughterhouse-Five,” as well as an adaptation of Dan Simmons’ upcoming novel “Drood,” about Charles Dickens. Oh, and there’s always that chance of him making another Hellboy sequel, too. Apparently he’ll be able to keep all productions alive simultaneously by maintaining a split personality and an uncontrollable ability to become unstuck in time.
  • Remember that TV series that involved five individuals who came together to make one bigger superpower? I mean Queer Eye for the Straight Guy, but if you were thinking of Voltron, you were kinda close. Mark Makowski, whose biggest credit is for directing episodes of Queer Eye, is in talks to helm the bigscreen, live-action version of Voltron: Defender of the Universe.
  • Unsurprisingly, Disney’s direct-to-video Little Mermaid prequel, Ariel’s Beginning, sold like hotcakes last week. Now I can still hope for DTV spin-offs and sequels like Caterpillar’s Hookah-Induced Adventures and Song of the South II: Intolerance.

Disney Wants To Turn Your Daughter Into a Whore!

Karina Longworth
By Karina Longworth posted 1 year ago
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Prompted by Disney’s new line of Princess products, Barbara Ehrenreich rails against the studio’s entire family of female animated characters at The Nation. Her key arguments:

  • “Today, there is no little girl in the wired, industrial world who does not seek to display her allegiance to the pink- and-purple clad Disney dynasty.” Read: your daughter understandably wants you to buy her shiny things, but she’s too young, impressionable and greedy to understand what consumption of those things mean. It’s up to you to decode the messages she’s unconsciously slurping through her Princess toys. This is of primary importance because…
  • “Disney likes to think of the Princesses as role models, but what a sorry bunch of wusses they are.” Ehrenreich is particularly concerned that these so-called heroines generally “have no ambitions and no marketable skills,” and are prone to allowing themselves to become intoxicated at the hands of men and/or devious older woman. No work, free booze––I guess your daughter’s supposed to wait until college before indulging in that dream.
  • “No need for complicated witch-hunting techniques–pin-prickings and dunkings–in Princessland. All you have to look for is wrinkles.” The Princess films fail to give middle aged and elderly women the respect that they’re accorded in … um … real life?

My favorite takeaway, and my own conclusions, after the jump.

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