While most water cooler discussions today focused completely on the Kanye West VMA controversy, the playground likely had room for another topic related to MTV’s award show: the new trailer for The Twilight Saga: New Moon. But were the boys participating in that talk? Summit probably hopes so given that the spot seems to be trying harder to appeal to that young male demographic.
I don’t think the attempt will work, however. For the first Twilightfilm, after reaching out to the true, female-dominated fanbase, Summit released a trailer that admirably sold the thing as if it were a superhero movie. It came really close to getting me in the theater. This time they’ve got another more action-heavy trailer, which at times makes New Moon seem like The Matrixas directed by Stephen Sommers. Which I guess might seem cool to teenage boys. But there’s still enough obligatory beefcake shots and romantic fluff to overpower that idea.
Male moviegoers, feel free to prove me wrong. First, though, let’s see where the other film blogs stand on the issue after the jump:
The funny thing is, it’s difficult to find a straight up action or action/adventure franchise that doesn’t have sci-fi elements anymore. So wouldn’t it be nice to have these few series remain grounded in reality if they started that way? We think so. That’s why we’re going to beat Hollywood to the punch on a few action franchises that have yet to add aliens, monsters or whatever to their world.
The following five premises are completely ridiculous, and that is the point. Hopefully the series’ respective studios will thereby see that it would be a bad idea to do anything of the sort. …Read more
Someone commented on my list of Avatar comparisons last week noting that such a practice could be done with any movie. He/She is correct, though it doesn’t really matter since the point of that exercise was to respond to the certain expectation that came with that film’s hype that it would be unlike anything we’ve seen before. With the teaser for Christopher Nolan’s Inception, however, the similar claims of derivation are simply a normal thing we film bloggers to do trailers, particularly those that give us little clue as to what their movie is about.
But deep in our hearts, we all trust Nolan, right? We don’t think he’d make a movie that people would say is just like The Matrix or Identity or Fight Club or Jurassic Parkor whatever. Just like the illusionists in The Prestige and also like Batman, I guess, Nolan has a lot up his sleeve. The fact that nobody knows anything about the plot of Inception makes its trailer even more cryptic than it would seem otherwise to just the regular moviegoer who doesn’t follow script reviews and production developments. I wish I knew so little about Avatar — and about pretty much any upcoming movie, for that matter.
Check out what the film blogs are saying about the new Inception trailer after the jump.
Why are so many people interested in Quentin Tarantino’s favorite movies? Maybe because he’s been so influential or maybe because he’s had so many influences? I’m not sure, but a big topic on the film blogs today is a top 20 list QT came up with for Sky Movies. It’s not his favorite films of all time, however. It’s just his faves since 1992, the year he broke big with his directorial debut, Reservoir Dogs.
The list is filled with a lot of obvious choices, including new Asian cinema classics like The Host, JSA, Auditionand his very, very favorite of the past 17 years (the rest of the list is alphabetical), Battle Royale. Surprisingly Oldboyis nowhere to be found despite the fact that QT is responsible for the film’s surprising win at Cannes five years ago. He picked two by Bong Joon-ho, why not two by Park Chan-wook? Is it because that would be too much like self-praise?
The biggest shocker appears to be his inclusion of Woody Allen’s Anything Else, and that’s the main reason people are talking about the list today. I was more stunned, though, by QT’s claim that Supercophas the best stunts of any film ever, including those starring Buster Keaton. I guess I’ll have to see that one again.
Anyway, since QT is known for his borrowing from his influences, I’m excited to see when his movies start pilfering from the likes of Dogville and Shaun of the Dead, both of which would be in my top 20 of 1992-2009, as well.
Check out what other film blogs are saying about the list after the jump:
Just as we’d prefer for Hollywood to remake bad films rather than beloved classics, we’d also like to see more TV adaptations of obscure and failed series — as long as there’s going to be such a giant void of creativity anyway, why not go for the forgotten titles and at least make it seem like you’ve got fresh ideas?
Unfortunately, Hollywood continues to ignore our logic and is instead adapting the popular 80s cop show T.J. Hooker for the big screen. It may not be the most familiar or beloved series of all time, but it has enough name recognition to make it a success, a la the S.W.A.T. and Starsky & Hutch movies before it.
We have no interest in yet another veteran/rookie team-up, though, especially a blatantly recycled one. So we decided to mine deeper into our TV Guide issues from the 80s and pick out some lesser-known high-concept shows that would make awesome movies if only they had more of a built-in, nostalgic audience to justify a green light.
Check out our pitches after the jump, and thank us when Hollywood gets wise to the ideas. …Read more
Thanks to David Hudson of IFC.com’s The Daily and just about everybody else for so clearly letting me know what “everyone’s talking about” today: the new trailer for the sci-fi Sundance sensation Moon. I find the excitement interesting for two reasons. First, I think it’s odd when people who’ve already seen a movie go ga-ga for its trailer. Such subjective write-ups also tend to hint that spoilers abound, which can be quite obnoxious. Second, I think it’s strange that we still go completely insane for films like this, even as we immediately address their influences in Kubrick and Tarkovsky. I’m not complaining, of course; I love all derivatives of 2001: A Space Odyssey, Solyaris, Alien, Metropolis, Blade Runner, The Matrix, Close Encounters of the Third Kind, etc. There’s just something about sci-fi that overcomes the usual complaints against lack of originality.
Anyway, because I haven’t yet seen Moon (Karina has, though, read her review from Sundance here), I’m going to attempt to ignore the commentary from people who already love the film (sorry Billington, Goss, etc.). Objective reactions only, after the jump: …Read more
I remember the first time The Matrix made sense to me. It was a sunny afternoon at a Seattle multiplex in 1999; I was about thirty minutes into watching the discombobulated world of existential musings and wacky technological discontent when suddenly the whole thing clicked: The red/blue pill polarity that divided truth and illusion, how the advent of thinking machines threatens our individuality, the epic battle between those willing to break down and understand the world in all its true colors and others willing to blindly accept it. A few months later, The Sixth Sense would leave me scratching my head for several days before I made peace with the final act twist, but The Matrix offered instant satisfaction. I left the theater energized, ready to challenge my own notions of reality and match Neo’s heroic ambitions as the One. Then I went home and played a video game in quiet solitude.
And so we arrive at the central paradox of The Matrix paradigm: Technology can set us free, but it also threatens to bind us from the real world. Today marks the tenth anniversary of The Matrix’s triumphant theatrical release (a special edition Blu-ray DVD hits shelves on the same day). A decade after directors Larry and Andy Wachowski established their fictional timeline for humanity’s enslavement at the hands of artificial intelligence, several of the movie’s predictions about our relationship to new media have started to come true.
At the time of its release, the dot com bubble was on the brink of bursting, the inventors of Facebook and Twitter were in high school, and some people thought the world faced imminent destruction from the Y2K virus. With The Matrix, the Wachowskis suggested that technology would indeed precipitate our downfall — although not quite so soon. Still, many of its imaginary conceits proved strikingly prescient. Take the following detailing of its accuracy as an exciting testament to modern progress, a harbinger of the apocalypse, or some unseemly combination of both.
Out of all the cinematic staples, the so-called “magical negro” is the worst to define and discuss due to it being the mother of all loaded terms. A catch-all phrase used to describe how African-Americans in film tend to be superhuman physically, spiritually or both, it’s currently in the midst of the pop cultural zeitgeist thanks to a crappy song and New Year’s faux-pas.
Anytime someone sees a black character used as a story tool in a film — in the case of The Curious Case of Benjamin Button, Queenie (Taraji P. Henson) originally didn’t exist in Fitzgerald’s story — there is a mild cry of “There! There! I see a magical negro in the distance! Yes! There!” One should wonder why Eric Roth deemed it necessary to suddenly introduce the character as a framing device for guiding the CGI Man-Child about, but that’s up to anyone who can be assed to sit through that three hour bore.
So, we’ve taken it upon ourselves—and in full expectation of the eventual backlash that will come from one friend of ours, Odienator at Big Media Vandalism—to deconstruct the favorite crutch of Stephen King, the WachowskiBrothers and whoever else has a problem understanding just what makes the worst stereotype the worst stereotype.
Should special effects only be used to service a film’s story, or is it perfectly fine for movies to feature extraneous spectacle? That’s a debate that comes up often among cineastes, but ultimately there’s room for both functions. Sometimes, in cases like Jurassic Park and The Matrix, both categories of effects may even faultlessly coexist in the same film. Yet there is one kind of effects employment that’s intolerable to all film-loving parties: the gratuitous exploitation for the sole purpose of brazen gimmickry. It’s this kind of effects work that goes beyond spectacle. It’s not so much a show as a show off.
For one example of this cinematic sin check out Karina’s review of The Curious Case of Benjamin Button, in which she references a scene featuring an inessential and irrelevant rocket launch in the background of an otherwise intimate moment between two lovers on a sailboat. Actually, that’s apparently only a minor citation in a “a film about the feat of its own whiz-bang, Frankensteinian digital imagery, drunk on its own accomplishment to an extent that feels quasi-ethical.” Hardly the first movie to commit such a crime, sure, but Benjamin Button seems to be the most thoroughly guilty exploiter since Forrest Gump (both films, incidentally, were scripted by Eric Roth).
So, in (dis)honor of Roth’s repeat offense, let’s take a short look at the worst exploitations of special effects in the last 15 years: …Read more
I haven’t seen Twilight, but from what I can tell the film only has one memorable scene. That’s the way the Twilight parodists make it seem, anyway. Everything from the puppet parody to this new Christmas version (see below) recreates this scene, in which Bella acknowledges that Edward is a vampire and then the couple flies through the woods. It’s getting to the point where the parodies are losing their edge if only because of the familiarity. The one thing that could possibly be more tired is if someone parodied the bullet-time scene from The Matrixwithin a parody of Twilight.
But it’s mid-December, and tis the season for humorous movie-related Christmas videos on YouTube (like “Rambo Bells”). Twilight fans already got their Christmas wish with the announcement that Twilight: New Moonwill be out before Thanksgiving next year, but this is a little stocking stuffer (for that Edward-face stocking pictured, available from Amazon). And if those little goths like the idea of Santa being a vampire (how is this not the concept of another Christmas horror flick?), they can buy an unrelated Santa Vampire t-shirt here. Oh nevermind, they’re not going to have enough cash for unrelated items when there’s so much real Twilight Christmas crap to buy.
While at the Dubai International Film Festival over the weekend, Terminator Salvation director McG “announced” that a fifth installment of the Terminator franchise is definitely in the works, although The Halcyon Co. revealed over a year ago their plans for a trilogy. That McG is back to helm the installment must mean Halcyon is happier with the way Salvation looks than some of us are.
F/X artist-turned-director Stephen Norrington is finally following up The League of Extraordinary Gentlemen with the remake of The Crowthat’s been talked about in Hollywood for awhile. I wonder if Jason Statham is still interested in playing the lead.
Oh yeah, the weekend’s box office results: well, The Day the Earth Stood Still managed to just barely edge out The Happening to be the higher grossing of the year’s lame eco-sci-fi films. The animated film you never heard of, Delgo, couldn’t make a million bucks on more than 2,000 screens, while the Bollywood film you never heard of, Rab Ne Bana Di Jodi, cracked a million bucks on about 100 screens. And a ton of limited specialty films, including new releases Gran Torino, Wendy and Lucy, The Reader, Doubt and Che, all had better per-screen-averages than did the #1 film, The Day the Earth Stood Still.
Unemployment is about to get even worse now that Citigroup has announced it will cut 52,000 jobs early next year. And falsely reported news of a killing in Santa Clara, California (the shooter was fired, not laid off) only adds to the bleak atmosphere surrounding the already upsetting job market. But while desperate times may lead to desperate measures, it’s vital for us to remember what we learned from the films of the 1930s, when the Great Depression caused a nearly 25% rate of unemployment (we’re currently at 6.5%).
Hopeful stories of upward mobility and implausible solutions were popular at the time, though many of them had downsides or inspired the desire for unlikely prospects. Still, there was some guidance to be found buried within the fantasies of Hollywood, and SpoutBlog has compiled this handy list to help you make the right choices during your current or imminent joblessness.
Twilight has already sold out around 500 midnight shows for Thursday and at least 400 shows throughout the weekend. Thanks to the report from The Hollywood Reporter, I finally understand the appeal: apparently it’s a movie about an “interspecies love affair.”
It’s no coincidence that movie rights for another “vampyre” series of young adult novels has just been optioned. House of Night: Marked will be the link between Twilight and Harry Potter with its plot of pubescent bloodsuckers attending a special school just for their kind.
One-time documentarian Seth Gordon is apparently satisfied directing fiction for awhile. Following Four Christmases, he’s now set to helm a con job caper titled Suicide Squad. However, he’s still reportedly doing a fictional remake of his doc The King of Kong and producing a new doc titled Freakonomics.
While Karina spends today in Mac heaven, I’m celebrating my PC. Well, maybe celebrating isn’t the right word since I’m taking humorous delight in its faults. Just as I greatly enjoy the “I’m a PC; I’m a Mac” ads, I find this parody of The Matrix hilarious, because like so many frustrated computer users, I work with Windows. I truly never thought that I’d be entertained by something involving that annoying little paper clip fellow, but that lampooning of the spoon-bending scene is priceless.
This clip almost makes me grateful that I’ve experienced all of Windows’ many problems. But I’m no Microsoft defender. I’m just a cheap and lazy consumer. And I’ve had a laptop stolen by a junkie, so I’ll always be hesitant to spend a lot on a machine. But now that Netflix Watch Now works on a Mac, there’s not a whole lot other than price that’s keeping me buying a Macbook. And since my present laptop no longer plays DVDs, it might just be time to pay a visit to the Apple Store. Then again, if I stop using Windows, I might not be able to fully appreciate comedic videos like the one above.
Terminator Salvation, due in May of next year, stars Christian Bale as John Conner. The film will be a quasi-reboot of the series, picking up after the machines have destroyed civilization and Conner is leading a small band of survivors in a war against the machines. The following is an open letter to McG, the director of the film.
Dear McG,
Lots of people have been talking about your new movie this week. Several sites have posted some leaked material featuring the work of production designer Martin Laing. Many sites had a behind the scenes featurette with Laing and a gallery of concept art, most of which were taken down at the request of the studio. One of the only ones to survive at time of this writing is on io9. Ain’t it Cool News reported that while James Cameron did not have a hear-to-heart with you, as you claimed in July, he still has high hopes for the film.
When I saw you at Comic-Con in July, I was very pleased with the early footage and what you and the cast had to say about the film. One thing you said was that you were interested in what we thought about the early images and the direction the film was heading. I hope it’s not too late, because I have a few suggestions.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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