James Cameron’s Avatar is supposed to be like nothing we’ve ever seen before. So why does it look so familiar? One of the most disappointing things about the film’s promotion so far is how derivative the film looks in the trailer that (eventually) debuted online today. And much of what we’re reminded of wasn’t even that great to begin with. To help illustrate our feeling of déjà vu, we’ve captured a few screenshots from the trailer and, where available, put them next to their older visual counterparts.
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The new trailer for Where the Wild Things Are is such a phenomenon today that I’ve even seen celebrities excitedly Tweeting about it (and by celebrities, I mean specifically Rob Corddry). Actually, I think the majority of people I follow on Twitter have squeezed out a gushing statement in 140 words or less. That is, except me (don’t I technically follow myself?). Sure, I’m looking forward to the movie, as a fan of Maurice Sendak and a fan of Spike Jonze and a fan of Dave Eggers, but I don’t think the trailer looks that incredible. And the parts that do look really great remind me of how amazing the trailer for Benjamin Button looked. Remember what happened with that?

Maybe it’s my usual distaste for computer-generated characters; yes, I’d honesty be happier if the Wild Things were made by the Jim Henson Company and all looked like Sweetums from The Muppet Show. I do believe the film includes “suitmation” and animatronics, in addition to CG, but much of what I noticed in the trailer was the computer stuff, and I’m sad to say that, unlike all the commenters at FirstShowing.net, I can’t yet label this as an “instant classic.”

Let’s see if there are any bloggers who agree with me after the jump:

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The American Medical Association Alliance is unhappy with the appearance of a specific cigarette brand (American Spirit Lights) in He’s Just Not That Into You and is filing an official complaint to Warner Bros. and Time Warner over the issue. Brooks Barnes reports in today’s New York Times that the advocacy group doesn’t care that smoking is shown in a bad light in the romantic comedy (a character gets dumped for lying about quitting smoking, an offense seen as even worse than cheating); they think any acknowledgment of the act of smoking cigarettes — even if nobody is actually seen smoking onscreen, a la HJNTIY — could influence young people to start smoking.

The smoking in movies issue has brought about much debate regarding censorship in the last few years, but I say bring on the smoking ban. And then Hollywood can get creative with hints at smoking the way it used to use innuendo and other fun tricks to imply sex. The irony would be that in the past, cigarettes were used as such implicit hints (see Love is a Many-Splendored Thing; Chinatown and just about any Hays Code-era film). I also say that this AMA organization should be happy that Hollywood is at least promoting a healthier brand of cigs, such as the all-natural American Spirits. Last year’s underrated male fantasy rom-com Definitely, Maybe went so far as to devote an entire flirting scene to why people should smoke the longer-lasting American Spirits than other brands. Funny, I don’t recall any complaints from the AMA regarding that movie (though here’s an interesting complaint from the New Mexico Media Literacy Project, at least).

Although this complaint wasn’t the biggest film blog topic of the day (that might be whining about Leo DiCaprio’s Neverending Story remake), here are the few other responses I found around the net:

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Sorry, no, this is not a clip from or trailer for a Latvian remake of the 1984 classic. Instead it is merely a Latvian cover of Ray Parker Jr.’s classic theme song, performed by Intars Busulis and the cello trio Melo-M. And it now accompanies my other favorite movie theme covers, which include GNR’s version of “Live and Let Die,” the ska cover of The Godfather theme (by The Mudsharks), my brother’s snail-paced cover of Kenny Loggins’ “Danger Zone” (from Top Gun) and pretty much any cover of “The Neverending Story” (including Homestar Runner’s “The Neverending Soda.”)

The reason I bring you this Ghostbusters theme cover (aside from my having just today discovered it, thanks to Fark.com) is because it (very) loosely ties in with the new movie Wanted. See, both the song and the movie involve the intersection of Hollywood and Eastern European artists (specifically of former Soviet republics). Because Wanted director Timur Bekmambetov is originally from Kazakhstan (yes, home of Borat), and he became successful in the Russian film industry before being wooed by Universal Pictures (though it’s not Bekmambetov’s English-language debut).

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