Roman Polanski: Wanted and Desired, a riveting documentary airing June 9 at 9:00pm on HBO, digs into the facts of Polanski’s notorious case around his sexual misconduct with a 13 year old, and how the justice system failed them both. The Promotion–opening tonight–looks like a comedy but is more an unnerving lightning rod for middle class anxiety, a darkly comic portrayal of what the American Dream has become. People expecting John C. Reilly and Seann William Scott to be foolproof laugh material will be surprised.
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FilmCouch #73 - Be careful what you laugh at
Roman Polanski: Wanted and Desired, The Promotion
Here is a master guide to all of our reviews, interviews and assorted other coverage from the 2008 SXSW Film Festival. You can also revisit all of our SXSW previews here.
MISCELLANEOUS
Michael Tully compares/contrasts SXSW 2007 to SXSW 2008
Paul meets Vanessa Hudgens and other absurd teenage celebrities on the 21 red carpet.
Harmony Korine, stand-up comedian
REVIEWS
21
At the Death House Door
Blip Festival: Reformat the Planet
Harold and Kumar Escape From Guantanamo Bay
FilmCouch is coming from the exotic Austin, TX. Guess what we talk about.
That’s right.
Movies at SXSW.
To name a few: Yeast, Medicine for Melancholy, One Minute to Nine, Wellness, The Promotion and the unforgettable Andre Williams (Agile, Mobile, Hostile). Note: After we recorded this podcast, Wellness won the SXSW Grand Jury Award.
The Promotion is such an insightfully hilarious and beautifully bittersweet movie about the American and human spirits that I wish Steven Conrad had always been directing his scripts. Conrad previously wrote The Weather Man and The Pursuit of Happyness, both of which can be felt here as less evolved ancestors; structurally they’re quite the same, while The Promotion shares some of the offbeat tone of Weather Man and a lot of the heart of Happyness. But there’s a story in The Promotion that is far more universal, relatable and familiar, which makes this one much, much funnier and much, much more sympathetic.
And certainly Conrad’s ability to balance the sweet and the salty, as a director, is responsible for most of the film’s success. One scene in particular exemplifies the movie best: John C. Reilly, as the new-to-Chicago “Richard”, sits opposite four supermarket executives, interviewing for a promotion to be a full-on store manager, and he’s just had to defend how his Canadian-ness caused him to miss an employee prank. Conrad keeps a close-up shot on Reilly as the actor fluctuates expressions that communicate, non-verbally, a plea of innocence, then ignorance, then stupidity, then insanity, then doubt, then back to innocence again. The combination of comedy and pathos that comes out of this lengthy close-up and perfectly tuned performance, which is broken up by a couple reversals to the executives and which is permitted more time and attention than most films nowadays allow any single moment, is the most brilliantly thoughtful thing I’ve seen done in this kind of movie in a very long time.
Steve Conrad took two actors known for broad comedy, Sean William Scott and John C. Reilly, and cast them in something dark and fresh. The Promotion plays to their funniest qualities, but also allows for some darker moments of real middle-class anxiety and racial tension. I talked to writer/director Steve Conrad about some of his decisions for this unusual comedy and how it all began in a grocery store parking lot.
Kevin Buist
FLAME + CITRON Review
Christopher Campbell
Happy Halloween Links. Today in Film...
Brandon Harris
5 80s Literary Adaptations Worse Than...
Kevin Kelly
John Krasinski, Brief Interviews With...
Karina Longworth
SpoutBlog, Now Available in Book Form
Paul Moore
October 31, Karina’s Last Day
Lauren Wissot
Sasha Grey Interview
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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