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Sing Off the Summer. Trade Roughage 09/02/08g

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • Earning $14.3 million in its third weekend, Tropic Thunder retained its top placement on the box office chart over the holiday, yet it’s total gross still hasn’t reached the movie’s reported $90 million budget. Meanwhile, five new wide releases (Babylon A.D., Traitor, Disaster Movie, College and Hamlet 2, which expanded this week) performed badly enough to place this year’s Labor Day total at 17% below last year’s. In the end, the slow four-day weekend may have contributed to Summer 2008’s inability to top the box office of Summer 2007, despite The Dark Knight’s now more than $500 mill. take.
  • The most interesting box office news from the weekend is Mamma Mia!’s 34% increase over its previous weekend take — despite having lost more than 350 screens — due to Universal’s releasing a special sing-a-long version of the musical to 299 locations. I’d say something about the film being on its way to Rocky Horror-like cult hit status, but at $132.9 million and climbing, it’s already earned more than Rocky Horror has in 35 years and should anyway be considered an actual hit.
  • As for limited releases, Variety and The Hollywood Reporter failed to mention that Takashi Miike’s Sukiyaki Western Django earned $13,106 on a single screen in NYC this past weekend. Meanwhile, one of my favorite films of the year, Jirí Menzel’s I Served the King of England, earned a terrific per-screen average of $8,488 to gross almost $68,000.
  • I’ve always thought Nastassja Kinski was one of the most boring actresses in the world, but at least she would have given Quentin Tarantino’s Inglorious Bastards that usual casting from the ’70s cred. Unfortunately, Diane Kruger, who’s just plain boring, has instead been cast in the part originally offered to Kinski.

10 Underrated Songs by Fictional Music Groups (in Movies)

Christopher Campbell
By Christopher Campbell posted 1 year ago
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This week, thanks to The Rocker, we can add another fictional band to the long list of music groups created solely for the movies. They’re called Vesuvius, and they’re an ‘80s hair band with a hit song titled “Promised Land.” As part of the film’s marketing, the track was offered as a free download for play on Rock Band (see the clip above). But if you ask me, the wrong tune was used in the promotion. Another song from the soundtrack, also credited to Vesuvius, is called “Pompeii Nights,” and it’s definitely the better of the two.

I’m not surprised, though. While most people favor the songs of Spinal Tap, a once-fictional band that has become popular enough to evolve into a “semi-fictional” performing act, I’ve preferred such gems as “The Whites of Their Eyes” by PEZ® People, from The Big Picture. Also co-written by This is Spinal Tap’s Christopher Guest and Michael McKean, and sung by McKean, this song is apparently so underrated that I can’t even find an audio sample, let along a YouTube clip of the fake band’s music video, which was directed by fictional filmmaker Lydia Johnson (Jennifer Jason Leigh).

Fortunately, for the benefit of this list, the rest of these under-appreciated tracks have a few fellow fans.

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