
One of the many fads for cinephilic YouTubers, perhaps next in popularity after mashups and sweded remakes, is the condensed movie. Actually, thanks to a recent Empire contest, the art of sweding and the art of fitting features into a 60-second time frame is now also a mashed-up fad (though I guess sweding has always involved shortened versions). But while in this day and age any fanboy can do a shortened remake of his or her favorite movie or an abridged recut that breaks a film down to its bare essentials (i.e. its use of the f-word), condensing a film is not necessarily a low art.
Just look at the 76-minute video Academy by R. Luke DuBois, a conceptual artist who works with both audio and visual mediums. A couple of years ago, using a time-lapse process, DuBois crafted this compilation of sped-up versions of Best Picture Oscar winners, which he says “allows us to explore the temporal, formal, and aesthetic progression of the first seventy-five years of the Academy awards by taking each film and compressing, sound and picture, into a single minute.”
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FilmCouch 30
On this week’s FilmCouch we have a leisurely conversation with new SpoutBlog writer Karina Longworth. We talk about the mainstream media’s suspicion of bloggers, and gender politics in pop Hollywood hits like Knocked Up, Top Gun, Risky Business, Miami Vice, and the nearly-female-free sensation, The Shawshank Redemption.
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FilmCouch 30 [25:56m]:
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