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Michael Jackson: Rating the Filmmaker Collaborations

Michael Jackson: Rating the Filmmaker Collaborations

Christopher Campbell
By Christopher Campbell posted 4 months ago
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We feel really bad about spotlighting Michael Jackson in three spots on our “Creepiest Kids’ Movies List” yesterday. If we had known he was going to die of cardiac arrest within hours of that post’s publication, we would have maybe limited his presence to one included film, if any at all.

To make up for the dishonor, we now would like to spotlight the connection he had to cinema through his collaborations with great filmmakers. Due to his talent, success and financial status, he was able to work with a number of important directors, both in movies and in music videos. Some were already prominent when MJ hired them; others were strictly music videomakers who would go on to significant feature filmmaking careers. Some collaborations were also better than others, so we’ve ranked them in order from worst to best.
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Transsiberian Review

Kevin Buist
By Kevin Buist posted 1 year ago
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The only possible advantage a small-ish movie like Transsiberian has when opening on the same weekend as the biggest box office draw in recent memory, is that in cities where Transsiberian is being shown, The Dark Knight’s screenings have been sold out for weeks. So, if you’ve been left out in the cold by Batman, go see Transsiberian. Or better yet, see them both.

Transibberian is the most enjoyable film I saw at Sundance this last January. As far as best film, I’d say it’s tied with the steroids doc Bigger, Stronger, Faster. Transsiberian is directed by Brad Anderson. (Also known for The Machinist, which is maybe where Christopher Nolan found his next Batman? Discuss). It follows the story of an American couple, Roy (Woody Harrelson) and Jessie (Emily Mortimer) as they travel the transsiberian railway from China to Europe after a mission trip. Tensions in their marriage are clear, Roy is a squeaky-clean do-gooder, tapping into a delightful naiveté we haven’t seen since Cheers. Jessie, on the other hand, is a reformed bad-girl. Mortimer makes her apprehension about having settled with Roy readily apparent without overdoing it.
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