Yesterday I wrote of the news that Wanted director Timur Bekmambetov is helming an effects-heavy adaptation of Herman Melville’s Moby Dick. It’s not entirely shocking, but it does still seem like a cruel joke. More specifically, it sounds like something Jasper Fforde would jest about in his Thursday Next novels. Of course, the news came just as I’m in the middle of Fforde’s latest, First Among Sequels, in which Pride and Prejudice is turned into a reality TV show.
Although I’m not exactly well read as far as literary classics go, I’ve been wondering what other revered books (particularly those in the public domain) could be reworked as potential summer blockbusters. Obviously, there are certain sci-fi, fantasy and adventure novels that work, yet the fitting fictions of Verne, Wells, Burroughs, Dumas and others are already fodder for cheap movies with lots of action and/or special effects. Therefore, I’ve tried to limit my choices to those books that aren’t such easy candidates for a Memorial Day weekend opening.
1. The Divine Comedy by Dante Alighieri
Dante’s epic poem has inspired a few films over the years, including the hugely successful 1911 silent L’Inferno, but it’s about time for Hollywood to bastardize the otherworldly tale with lots of computer-generated visuals. Maybe you’re thinking that What Dreams Come already made some attempt at this, and it failed at the box office. Sure, but it was still an awesome spectacle of a film. Now, think of something similar starring Will Smith as Dante. And some rewrites to allow for more fight scenes (yes, even in Heaven). The poem will be divided into a trilogy of films, of course.
Now that DreamWorks’ detachment from Paramount is officially happening, it’s time to find a distributor for the soon-to-be private company. Universal and Disney are currently the main contenders, but there just seems to be something wrong about a DreamWorks-Disney partnership, even if DreamWorks Animation isn’t part of the move.
Personally, I think Harvey Weinstein should hold off releasing Stephen Daltry’s The Reader until 2009, but I’d like to see Harv and Scott Rudin literally wrestle each other to see who wins their distribution dispute.
Speaking of ruining classics, there’s a Rashomon remake in the works that will update the story’s setting to a modern day rape trial. But then does it have to be an official redo, since there’s tons of Rashomon-influenced movies anyway?
Sorry, no, this is not a clip from or trailer for a Latvian remake of the 1984 classic. Instead it is merely a Latvian cover of Ray Parker Jr.’s classic theme song, performed by Intars Busulis and the cello trio Melo-M. And it now accompanies my other favorite movie theme covers, which include GNR’s version of “Live and Let Die,” the ska cover of The Godfathertheme (by The Mudsharks), my brother’s snail-paced cover of Kenny Loggins’ “Danger Zone” (from Top Gun) and pretty much any cover of “The Neverending Story” (including Homestar Runner’s “The Neverending Soda.”)
The reason I bring you this Ghostbusters theme cover (aside from my having just today discovered it, thanks to Fark.com) is because it (very) loosely ties in with the new movie Wanted. See, both the song and the movie involve the intersection of Hollywood and Eastern European artists (specifically of former Soviet republics). Because Wanted director Timur Bekmambetov is originally from Kazakhstan (yes, home of Borat), and he became successful in the Russian film industry before being wooed by Universal Pictures (though it’s not Bekmambetov’s English-language debut).
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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