Tropic Thunder was not only the number one film of the weekend, but it dethroned The Dark Knight, which is now the second highest grossing film of all time. So why is Ben Stiller brooding? No, he’s not recycling his Bono impression––according to Variety, its $26 million 3-day weekend (it made $37 million from Wednesday through Sunday) is no cause for celebration. The film made about $4 million less than Pineapple Express in its opening run, but cost four times more than that film to produce.
They spent $13 million on last year’s broadcast alone, but due to “plunging sales, recession fears and spiking gasoline prices”, GM can no longer afford to sponsor the Oscars.
The Voltron movie, which has been in development since before the first Transformers movie was completed, has been put into turnaround.
We’re less than a week away from the release of Tropic Thunder, and as the reviews and puff pieces make their way onto the web, there’s one thing clearly uniting the media’s coverage: talk of Tom Cruise’s appearance in a small role as a Hollywood studio boss. Everyone seems to agree that he steals the show and that his performance — or the joke surrounding it — is one of the comedy’s major highlights, if not the actual best part.
Of course, we can expect a good cameo from Cruise every now and then. He showed up for a bit part in Young Gunsand played himself as playing “Austin Powers” in Austin Powers in Goldmember. But from what it sounds like, his role in Tropic Thunder is featured for longer than might qualify as a cameo. Some are regardless referring to the performance as an “extended cameo”, and in theory it certainly fits in with the huge crop of so-called “ironic cameos” that have become popular in movies and TV in the last ten years.
Still, despite my not having yet seen the movie, I’m thinking that Tom Cruise’s involvement in Tropic Thunder is more like the following list, which consists of merely small roles filled by big stars. You might consider some of them to be technically cameos, especially the ones that aren’t integral to the plot and/or call attention to themselves. But with each of the roles I’ve included, I consider them to be either the best part of their respective movies or at least a major highlight, which is how Cruise’s appearance is being touted. Anyway, forgive me for trying to come up with something different than simply a best cameo list, even if the focus here seems less than clear.
A couple of days ago, the new Ghostbusters video game––which features voice contributions from most of the major actors from the franchise and, for all practical purposes, is as close to Ghostbusters 3 as we’re going to get––was presented at Comic-Con. Today, its release is by no means guaranteed. Its publisher, Vivendi Games, recently merged with Activision; Activision Blizzard, the new company formed by the merger, has declined to exercise options on a number of Vivendi brands, including Ghostbusters.
Shia LaBeouf’s drunk driving incident last weekend hasn’t shut down production on the Transformers sequel, but it has thrown a wrench into the proceedings. Whist Drunky McHearthrob takes a month to recover from an hand injury, Josh Duhamel’s scenes have been pushed up.
Oh, these sound like baaaaad ideas: Howard Stern has hired Alex Winter––Yes, Bill from Bill and Ted––to write a remake of Rock n’ Roll High School. How are these two qualified to trample on the love child of The Ramones and Roger Corman? Well, Winter has also written a film about the inventor of Napster, and Howard Stern is also producing a remake of Porky’s. Of course!
Disney’s overall income and revenues are up, even as their summer grosses are––thanks to Prince Caspian not being about pirates or having anything to do with Keith Richards––way down from last year.
He’s Hollywood’s current golden boy, but Shia LaBeouf still can’t avoid controversy. Actually, because he’s Hollywood’s current golden boy, the media is probably trying harder to hurt his image. That’s just what the media does. Not that I’m all that innocent. I had thought of embedding the latest clip, which shows theactor partying, slapping his buddy and using a certain “homophobic slur.” But it just didn’t seem that relevant to the discussion of film.
However, now that it’s in the news rather than just on the gossip blogs, with LaBeouf making a public apology (via his rep) and YouTube officially removing the video (except that it’s still here), I figured I’d share my favorite Shia LaBeouf montage, thereby making it more film-related. Because I imagine that each time Shia is arrested, or an embarrassing clip shows up online, or some other incident that requires damage control, he’s once again uttering his trademark, “no, no, no, no, no, no, no!”
Sex and the City made almost $56 million over the weekend––almost twice what tracking would have indicated as late as Friday morning. Pamela McClintock says the debut “mystified Hollywood and shattered the decades-old thinking that females — particularly older ones –can’t fuel the sort of big opening often enjoyed by a male-driven event pic or family movie.” I’m mystified that Hollywood––or anyone––could believe that they could spend that much money promoting that beloved a brand and not see results.
Transformerswon the big award of the night at last night’s Attempt to Remind Children Who Mike Myers Is Three Weeks Before The Release of His New Movie MTV Movie Awards.
Bryce Dallas Howard is in talks to replace Charlotte Gainsbourg in that new Terminator movie. Yes, Charlotte Gainsbourg was apparently going to play John Connor’s wife in that new Terminator movie. Good thing the daughters of men who were famous in the 70s are interchangable!
Department of Bad Ideas In The Name of Box Office Equivalency, Part 1: Apparently inspired by the success of Indiana Jones and It Really Didn’t Make THAT Much Money, Paramount is hiring Brett Ratner to direct Eddie Murphy in a fourth Beverly Hills Cop movie. It was Murphy’s idea, and there’s currently no script.
Department of Bad Ideas In The Name of Box Office Equivalency, Part 2: Apparently emboldened by the success of Transformers, Michael Bay is working on another film based on a toy: Ouija. Yes, that board with the alphabet on it that allows slumber partying fifth graders to talk to the dead.
Department of Things We Can’t Complain About: In honor of their 85th anniversary, Warner Brothers is dipping into their catalog of 6,800 films to push forth a ton of new DVDs and reissues, including “sets of superhero films, musicals and Westerns, including three editions of the MGM’s How the West Was Won, all slotted for third-quarter release, followed in the fourth quarter by horror and holiday collections, including an ultimate collector’s edition of A Christmas Story.”
It happens eventually to every filmmaker and actor associated with R-rated movies*, and now Eli Roth, the “torture porn auteur” who gave us Hostel and Hostel II, is making the transition to family-friendly fare — in order to make the kids happy, of course.
No, it has nothing to do with the money, which comes more easily with younger-targeted, lower-rated releases (especially when your last movie disappoints). It has to do with the realization that kids don’t have enough movies made for them, and they’d apparently like to see what Eli Roth’s talent is like. Only, up until now, they haven’t been allowed. As Roth defends the move:
“Everyone I know has been saying ‘When are you gonna do a movie my kids can see?’ And finally, I’m gonna make a movie that 13-year-old kids can see.”
I honestly don’t mean to keep devoting time and blogspace to Uwe Boll, but when the guy manages to say something hilarious or interesting every other day, what else am I to do? Write about serious issues like the future of film criticism? Karina’s got that covered quite sufficiently and efficiently, so I might as well stick to the fluff.
Of course, I can still relate the fluff to film theory, as in the case of Boll’s latest peer slamming, located at MTV Movies Blog. After criticizing the uneven work of Tom Tykwer (sorry, Uwe, but Perfumeis a far better film than Run Lola Run), Gus Van Sant and Michael Haneke, he goes off again on his favorite nemesis, Michael Bay:
Two of this year’s Oscar winning films were sequels. And only two Oscar-nominated films are officially slated for sequels. But only one film fits both of these truths. The Bourne Ultimatum, which was a bit of an upset in its winning of three Academy Awards, including the shocker of Best Editing (which Christopher Rouse certainly deserved), will definitely be getting a follow-up, if this Variety article from Friday is correct (via Cinematicaland Empire). The possibility of a fourth Bourne installment has been floating around for awhile now, despite the fact that Ultimatum so nicely tied up the series’ storyline and despite implications from Matt Damon and Paul Greengrass that continuing the franchise is unnecessary. But considering Ultimatum was a box office hit, and a critical favorite (it was one of the best mainstream films of the year) and has now won three Oscars, it seems like a no-brainer that Universal should want to keep Jason Bourne running.
The same can’t be said for that other Oscar-winning sequel, Elizabeth: The Golden Age. Although director Shekhar Kapur has said he wants Elizabeth to be a trilogy, it’s unlikely that the third film will be greenlit anytime soon. Of course, the plan is to revisit the story after another decade and things could well be different in ten years. Even if it weren’t likely to be a box office or critical success, it could be worth making just for the Oscar glory. I know that Alexandra Byrne wasn’t the first costume designer to receive Oscar nominations for work on two different films in the same series (Ngila Dickson and Richard Taylor were both nominated for two LOTRfilms), but if she suited Cate up again for a third film, she might be the first to have that honor of making it three. Meanwhile, Cate could also be the first actor or actress to be nominated three times for playing the same character.
As if Toy Fair 2008 wasn’t reminding us enough about the intermingling of Hollywood and the toy and game industry, Hasbro and Universal had to go and announce a six-year partnership, which will result in at least four (mostly) board-game-inspired feature films. It wasn’t that surprising, considering the success of Transfomersand the anticipated success of G.I. Joe, both of which are based on Hasbro properties, and the still-shocking news from last summer that Ridley Scott is developing a Monopoly movie (not to mention that Hasbro had previously announced its intentions while switching from CAA to William Morris last year). Plus, this comes as a perfect follow-up to the recent Mattel/CAA team-up.
Personally, I’m wondering why the deal is so exclusive against brands that aren’t board games (Stretch Armstrong being the exception). I would love to see movies based on Mr. Potato Head, Lincoln Logs and Easy-Bake Oven. And as far as the games that aren’t getting any love, I’d be interested in movies based on Guess Who, Mouse Trap, Jenga and Risk (the Australians take over the world!!). Like me, the rest of the blogosphere has gone ga-ga for alternate ideas. Also, a lot of bloggers have been overly critical of the deal and have had some harsh responses to the list of properties that were optioned for the partnership. Check out some of my favorites after the jump.
Some movies are violent, some are disturbing, and others are just plain wrong. Paul W. S. Anderson’s Death Race is a fun ride with some gnarly crashes, but it can’t hold a candle to its demented predecessor, Roger Corman’s Death Race 2000 (1975).
Cinema’s favorite weirdo, Cripsin Glover, is taking his film across the country, personally [...]
We’re less than a week away from the release of Tropic Thunder, and as the reviews and puff pieces make their way onto the web, there’s one thing clearly uniting the media’s coverage: talk of Tom Cruise’s appearance in a small role as a Hollywood studio boss. Everyone seems to agree that he steals the show and that his performance — or the joke surrounding it — is one of the comedy’s major highlights, if not the actual best part.
A couple of days ago, the new Ghostbusters video game––which features voice contributions from most of the major actors from the franchise and, for all practical purposes, is as close to Ghostbusters 3 as we’re going to get––was presented at Comic-Con. Today, its release is by no means guaranteed. Its publisher, Vivendi Games, 
Sex and the City made almost $56 million over the weekend––almost twice what tracking would have indicated as late as Friday morning. 
Department of Bad Ideas In The Name of Box Office Equivalency, Part 1: Apparently inspired by the success of Indiana Jones and It Really Didn’t Make THAT Much Money, Paramount is hiring Brett Ratner to direct Eddie Murphy in 
I honestly don’t mean to keep devoting time and 
Two of this year’s Oscar winning films were sequels. And only two Oscar-nominated films are officially slated for sequels. But only one film fits both of these truths. 
As if Toy Fair 2008 wasn’t reminding us enough about the intermingling of Hollywood and the toy and game industry, Hasbro and Universal had to go and 
