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Star Trek: Kirk Likes Boobs and Scotty Is Comic Relief

Star Trek: Kirk Likes Boobs and Scotty Is Comic Relief

Kevin Kelly
By Kevin Kelly posted 11 months ago
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Yesterday I attended a special Star Trek event at Paramount Studios where they showed us 20 minutes of footage from J.J. Abrams’ upcoming reboot of the classic sci fi series, much like Warner Bros. did with Watchmen recently. While the footage was already screened in London and New York, this was the first time I’ve had a chance to see it, and I didn’t read any of the other reports so I could go in fresh with my somewhat jaded fanboy eyes and ears.

While it looks fairly slick and high-tech (and yes, the bridge of the Enterprise does indeed look like the inside of an Apple Store), I was more interested with how they treated the development of characters that have been around since 1966. It’s hard to judge the film based on the four scenes we saw; it’s a bit like reading four random chapters of a book and being asked to write a report about it. But, with that in mind, I definitely have some thoughts about it. One thing is for sure: it looks a lot better than the scenes we saw from The Spirit at Comic-Con.

Check out the breakdown below of the scenes from a Star Trek movie that will probably draw a line right down the middle of hardcore Trek fans, but will draw a lot of people who have never seen the TV shows or the previous films into theaters. And just as a note, Abrams sides with the Trekkers in the “Trekkies vs. Trekkers” debate.

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Comic-Con 2008: The Notable Absence of Star Trek

Kevin Kelly
By Kevin Kelly posted 1 year ago
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Last year’s 2007 Comic-Con featured a massive Paramount Pictures panel, which did everything from give us a live broadcast from the set of Indiana Jones (where we found out Marion Ravenwood was in the picture), to introduce both Leonard Nimoy and Zachary Quinto as Spock in the new Trek film. However, Paramount’s only presence this year was a Tropic Thunder screening outside the Con, and some freebie Trek posters on the show floor. Where was the most cinematic representation of the Comic-Con audience to be found?

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