In all likelihood, a new documentary about Robert Pattinson titled Robsessed is a total cash grab and a waste of time. But let’s not completely toss aside the potential of this film, which UK-based distributor Revolver Entertainment has acquired and will release to DVD in the U.S. around the time that The Twilight Saga: New Moon opens in theaters.
I’m reminded of all the late night commercials I used to see for Biggie & Tupac years ago. The way the film was being sold sure made it seem at the time to be as cheap and disregardable as any of those compilation CD sets advertised in the same late hours. I never would have guessed the film was made by such an interesting filmmaker as Nick Broomfield, who I now place within my top five favorite documentarians. If only I’d been a bigger hip hop enthusiast I might have discovered Broomfield earlier than I did.
Likewise, if I’d been a greater Nirvana fan I might have been turned onto the filmmaker through his prior doc Kurt and Courtney (it wasn’t until years later when I wrote a paper on first-person documentaries that I acquainted myself with Broomfield’s films). And speaking of Kurt Cobain, I’m sure some of his young fans rented Kurt Cobain About a Son only to wind up interested in non-traditional documentary and the further work of director A.J. Schnack.
Could Robsessed really have been directed by a true talent like Broomfield and Schnack? It’s hard to imagine, especially since neither the news release nor Revolver’s website reveals the filmmaker behind this documentary. But since the film may concentrate primarily on Pattinson’s obsessed fanbase, it could at least be as interesting as docs like Trekkies and We Are Wizards, which deal with devout followers of the Star Trek and Harry Potter franchises, respectively.
I wouldn’t write Robsessed off so much as I’d say to ignore the film’s DVD-set companion, a pre-Twilight RPattz movie titled The Haunted Airmen.
Check out what other film bloggers are saying about the documentary after the jump:
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Last night, a crowd in Austin surprisingly found themselves at the U.S. premiere of the new Star Trek movie after being duped with promise of a new print of Star Trek II: The Wrath of Khan (and a mere ten minutes of the upcoming film). Of course, this being Aint It Cool territory, there were movie blog people in attendance, and of course these guys have given the reboot glowing reviews. But their praises can’t simply be explained away by the fact that the audience is part of the Trekkie choir, because certainly those fans don’t love every Star Trek movie. Otherwise there wouldn’t be such thing as the “Star Trek movie curse” on the odd-numbered installments.
Maybe they were just positive in their reviews because that’s what these kinds of guys do in situations like this. Think of it this way: if diehard Superman II, Raiders of the Lost Ark or The Empire Strikes Back fans were lured in with the promise of new prints of those films, hosted by Richard Donner or George Lucas or Harrison Ford, and the respective hosts surprised the audience with pre-release screenings of Superman Returns, Indiana Jones and the Kingdom of the Crystal Skull or The Phantom Menace, they would have been disappointed and some would possibly have written negative reviews. But if those fans were the type of movie bloggers who post reviews in between uploading photos of themselves with celebrities on Facebook, then there might be something more to it than simple fan-based bias.
I’m not saying there’s anything wrong with these kinds of bloggers, of course. I actually appreciate that they love movies as much as they do. And certainly anybody who criticizes their positivity is only jealous that they didn’t get to see the movie yet. So consider that when reading the following responses:
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Last year’s 2007 Comic-Con featured a massive Paramount Pictures panel, which did everything from give us a live broadcast from the set of Indiana Jones (where we found out Marion Ravenwood was in the picture), to introduce both Leonard Nimoy and Zachary Quinto as Spock in the new Trek film. However, Paramount’s only presence this year was a Tropic Thunder screening outside the Con, and some freebie Trek posters on the show floor. Where was the most cinematic representation of the Comic-Con audience to be found?
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