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Remembering Patrick Swayze. Today in Film Bloggery 09/15/09

Christopher Campbell
By Christopher Campbell posted 2 months ago
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Who didn’t love Patrick Swayze? Women fell for him in chick flicks like Dirty Dancing and Ghost while men (like myself) rooted for him in guy movies like Road House, Red Dawn, Black Dog, Point Break and others. A few kids might have even caught on through Tall Tales and The Fox and the Hound 2. And yet he never kept up the popularity he had in the 80s and early 90s. He certainly wasn’t that bad an actor, and his constant display of ridiculous hairdos wasn’t any worse than Nic Cage’s.

Wondering why he didn’t remain a big star to the end — was it the horse riding accident and subsequent depression/drinking? — isn’t of concern now, though. Since his death from cancer yesterday he’s at least received a lot of love from around the web, and we can hope that his soul has lingered, a la his character in Ghost, enough to notice. Remember that Sam was able to still use a computer thanks to the tricks he learned from Vincent Schiavelli’s subway ghost.

Check out what the film blogs are saying about his legacy after the jump and pay your own respects in the comments below:
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Bergman & Antonioni in Pop

Karina Longworth
By Karina Longworth posted 2 years ago
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6299.jpgThe gang over at IFC News have compiled a list of 10 references to Bergman and Antonioni in popular culture. Of course, everyone remembers the Twister-with-Death scene from Bill and Ted’s Bogus Journey, but the IFC list includes a few unusual suspects, such as Haruki Murakami’s L’Avventura-inspired Sputnik Sweetheart. Overall, it’s a great list, although there’s two items I would add.

The IFC list rightly cites Interiors as the apex of Woody Allen’s expression of his passion for Bergman, but Allen also paid tribute to Antonioni. The “Why do some Women have trouble reaching Orgasm?” segment of Everything You Always Wanted To Know About Sex (But Were Afraid to Ask) is a clear homage to Antonioni-style urban decadence and ennui. It’s also shot in black and white in Italian, so the reference is not exactly subtextual. It’s an absolute crime that a clip of this is not available on YouTube.

And in terms of Bergman references, I’d include “Seventh Seal” by Scott Walker, which you can download here. The opening track on Walker’s 1969 solo album Scott 4, “Seventh Seal” is basically a five-minute remake of Bergman’s 1957 film, set to Spanish guitars. In other words, it is to Bergman’s masterpiece what The White Stripes’ “The Union Forever” is to Citizen Kane, except it pre-dates Jack White’s brush with relevancy by about 30 years. Footnote: Last year, when Walker released The Drift, his first record in a decade, a rapturous Pitchfork review compared it to “a painstakingly fine Ingmar Bergman film, moves slowly and deliberately, with an intense focus and refusal to turn away from disturbing ‘images.’”