2008 was not the banner year that ‘07 turned out to be, but there were still plenty of movies worth watching. Sometimes end-of-year lists look like straight Oscar predictions, with little deviance from critic to critic, not so this year. Some of our favorite stuff was not playing in a theatre near you, some of it was. For the record, our complete lists are after the jump.
But first! Wholphin 7 is out now! The geniuses over at McSweeny’s have once again curated a delightful collection of rare and unseen short films. We share our thoughts about a few favorites. One film we both loved, Glory at Sea, is available for free here.
FilmCouch 102 [40:08m]:
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(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)
0:00 - Intro, listener e-mail
2:59 - Wholphin 7
16:18 - Kevin’s list, Paul’s “soup”
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The Telluride Film Festival is what Sundance would be if it took place in heaven. Every year the tiny mountain hamlet hosts four days of hassle-free cinema paradise. There were grumblings about the lack of American films, but we still found plenty to love. Mike Leigh (Secrets and Lies, Vera Drake) came with his delightful new movie, Happy-Go-Lucky. He sat down for a disgruntled yet insightful interview. Paul Schrader (Affliction, Hardcore) seemed as blow away as we were by his latest film, Adam Resurrected, starring Jeff Goldblum.
(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)
0:00 - Intro, Telluride faves: Waltz with Bashir, Revanche, The Good, the Bad, and the Weird, Tulpan, The Rest is Silence.
7:04 - Happy-Go-Lucky, with Mike Leigh interview.
19:52 - Adam Resurrected, with Paul Schrader interview.
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Telluride is celebrating a great talent coming out of Kazakhstan this year, Sergei Dvortsevoy. Although he’s here with only his first feature film (which, incidentally, took four years to make), there’s a slate of documentaries he’s brought that the festival directors tout as “must sees.” In the Q&A for his first feature film, Tulpan, Dvortsevoy described shooting the first scene of the movie, a 10 minute long take of a ewe giving birth. He showed it to his small cast of Kazakh actors and non-actors and said, “That’s what we have to live up to.” And it’s true. If there were a Best Non-human Actor Oscar, this sheep would have it (although the Academy would probably give it to one of these damn Disney chihuahuas). Fortunately, the cast lived up to the animal’s authenticity with each scene and breathed life into a simple fable.
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