As expected, 21 came in at the top of the box office this weekend, with a not-huge $23.7 million. And as hoped for by many––maybe even Paramount, who opened the thing on suspiciously few screens––Stop-Loss tanked with $4.5 million.
Just three months before their mutual contract expires, the Screen Actors Guild and the American Federation of Television and Radio Artists have severed ties. AFTRA president Roberta Reardon said the move was prompted by her former sister union’s dirty dealings in the contract negotiation process. Actual quote: “We can’t trust SAG.”
A group of British directors has formed their own union of sorts, called Directors U.K. The goal, according to Variety, is “securing a standard collective bargaining agreement with British employers.”
Universal has declined to renew their production deal with Tom Shadyac, who directed a number of massive comedy hits for the studio, including The Nutty Professor and Liar, Liar. Shadyac clashed with the studio over his latest directorial effort, last summer’s Evan Almighty, which grossed almost $200 million worldwide but cost at least that much to make.
The AMPTP wants to negotiate with SAG. George Clooney wants the AMPTP to negotiate with SAG. So what’s the problem? SAG national exec director Doug Allen is in no hurry to start formal talks. He says the guild needs to complete internal meetings on wages and working conditions, and he won’t have anything to bring to the AMPTP until those meetings conclude in March.
In a column on the growth of online film distribution, Anne Thompson says there’s still not enough money to be made in the market to interest major the brick-and-mortar distribution stalwarts, “Which means that this movement will continue to build from the bottom up with micro-indies, not from the top down with real studio investment.”
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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