Are you tired of all the false rumors of celebrity deaths (today it was Rick Astley)? And are you tired of all the jokes that Michael Jackson is really still alive somewhere, hanging out with Tupac, JFK and Elvis? So are we, but we thought we’d take both the obnoxious death hoax trend and the idea that MJ faked it so he could live in peace and out of debt as inspiration for something more worthwhile: a discussion of favorite false deaths in movies.
The device is quite popular, especially in thrillers and horror flicks, and it can be employed as a plot starter or in a twist ending. James Bondhas done it, as has Sherlock Holmes. Whether someone fakes his/her own death or is simply mistaken for dead, the actual deed or the ultimate reveal can end up terrific cinema. In fact, it was very difficult for us to narrow our favorites down to ten. It’s a shame we had to leave out memorable scenes from Heathers, Hero and many other movies. Certainly you’ll disagree with some of our exclusions, too, so feel free to name them in the comments section.
Just beware; there may be SPOILERS after the jump: …Read more
The most notable DVD release of the week* has to be the first season of Mad Men, which hits the street tomorrow just in time for newbies to get caught up on the AMC series before season two premieres in late July (it’s been available on iTunes for quite some time). I went on YouTube looking for clips from my favorite episodes and found the above fan vid, which focuses on Betty Draper (January Jones), the miserable model-turned-housewife of mysterious ad man Don Draper. I love it, if for no other reason than that it really draws out the way the show takes mid-century cinematic archetypes and weds them to real-seeming, endlessly multi-faceted characterizations.
This clip specifically highlights Mad Men’s Hitchcock allusions: the slate-gray, Madeline Elster-esque suit that Betty wears to therapy; Don’s spying, here symbolized by his employment of a home movie camera like something out of a cross between Peeping Tom and Rear Window; and my favorite, Betty’s fateful encounter with a flock of birds.
But what if he had designed the opening credits to Star Wars? Well, it might have looked something like this video, which was created for a school project. Interesting, yes. Creative, yes. Entertaining, yes. Memorable, no. It just goes to show how significant some credit sequences can be, because this is hardly appropriate for George Lucas’ film. And I don’t just mean because the music is all wrong. If this student wanted to go with a jazz score for the titles, he should have gone with a jazz cover of the Star Wars theme. And if he wanted something more upbeat, he could have used a jazz cover of the Cantina Band song (both covers can be heard on this album).
If I was this guy’s professor, I’d give him a B+, mostly for effort and the fact that I love the lazer blasts and the zoom in on the Death Star at the end. For the A, though, he’d need to resubmit with something more suitable than a Buddy Rich soundtrack.
Vanity Fair recreated a number of famous shots from Alfred Hitchcock films for their March 2008 Hollywood Issue, and they’ve got a story about the shoot on their website. It’s pretty much content-free––unless we’re really supposed to be blown away by Renee Zellweger’s professionalism and commitment to the endeavor because she waited until she was getting her hair done to watch the Vertigo scene she had been assigned to ape––but Jeff Wells still finds something to grumble about.
“Of all the actors Vanity Fair could have picked to stand in for Cary Grant in a restaging of the classic crop-duster scene in Alfred Hitchcock’s North by Northwest, they chose (who else?) Seth Rogan.” Yawn. Of course, George Clooney would be the obvious choice for the role, but even George Clooney seems to be tired of playing Cary Grant. The whole idea of having people like Gwyneth Paltrow and Keira Knightley star in these slavishly recreated spreads is so milquetoast and boring, that the casting of Hollywood’s new, chubby-nerdy-hot guy as Cary Grant––especially Cary Grant as Roger Thornhill, an ordinary guy who becomes sort of unexpectedly invincible––ends up looking strange enough to be inspired.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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Vanity Fair recreated a number of famous shots from Alfred Hitchcock films for their March 2008 Hollywood Issue, and they’ve got a story about the shoot 
