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No, Seriously — There IS Blood.

Karina Longworth
By Karina Longworth posted 1 year ago
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Ted at BigScreenLittleScreen alerts us to this stupid post about There Will Be Blood by Marc Bernadin at EW:

When you hear that title, the moniker given to Paul Thomas Anderson’s latest, what images spring to mind? Gothic vampires, sure. A revenge film? Serial killer thriller, perhaps? Torture porn?…Would you feel swindled if you showed up to see a movie called There Will Be Blood and got a period piece about crude drilling? Is this a case of smart marketing, or a shifty bait-and-switch?

Take a break to roll your eyes, and then move on to Ted’s smackdown, which focuses on Bernadin’s just plain dumb reasoning:

If you’re telling me we’re at the point where people are waddling up to the ticket booth and making ad hoc selections based solely on film titles, then either a) it’s time to pack it up and shut it down, or b) look out for a big push coming down the pike for big-budgeted features under names like Strong Violence, or for the romantics: Brief Sensuality.

Ted’s right, but having seen the film, I’ll take it a step further: it’s not even a misnomer! There IS blood! Actual, red, product-of-violence blood! In several points across the film, although ultimately, the title could be literally read as a spoiler for the final scene. I also think it refers to a whole lot of thematic stuff about non-literal blood–blood as a synonym for family, genetics as a determinant to who we are, our fates, the way we relate to people, etc. Ted’s right that Bernadin’s argument is insanely literal, but worse than that–it’s literally inaccurate.

No Country For Old Men Trailer — Clip of the Day

Karina Longworth
By Karina Longworth posted 2 years ago
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Anne Thompson points to the red-banded trailer for the Coen Brothers’ No Country For Old Men. In order to watch it, you have to prove that you’re over 17 by entering your birthday and zip code, as it corresponds to your government-issued ID. Leaving aside the fact that it’s totally creepy that movie studios now have access to some massive DMV database (that’s gotta be where they’re getting this info from, since the site wouldn’t accept the zip code on my passport), if you prefer Blood Simple to The Big Lebowski, then this trailer will likely be right up your alley. Warning: it’s, um, kind of violent. I counted at least 6 corpses, plus 2 implied human deaths, plus one definitely dead dog.

New ratings are not yet rated

By posted 2 years ago
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Our regular guest writer, Dodd (moviedodd at spout.com), tells us what’s the latest in movie rating news, and shares his mixed feelings about the proposed changes. Dodd is finishing up a Master’s degree in Film Studies at Ohio University.

Recently, there has been a lot of discussion about the current film rating system implemented by the Motion Picture Association of America (MPAA). Filmmakers have raised hell about it all on their own for the past few years, but now the documentary This Film Is Not Yet Rated has served as an expose on the selective standards of MPAA members. The film seems to have had an affect already. Since its release, MPAA head honcho Dan Glickman has admitted to the organization’s vague guidelines for what sets an R picture apart from an NC-17 one, and that proper actions would be taken to fix that problem.

It seems that Glickman was not just throwing words around for publicity purposes. According to a recent Variety article, Dan Glickman has announced that the MPAA is developing a “hard R” rating, which is not to be confused with the original “soft R.” In other words, films like Little Miss Sunshine, with its occasional F-bomb and sex joke, will be branded with a regular R. However, movies with blood-spurting decapitations, hardcore sex scenes, and f**k thrown into every sentence will be awarded the new, hard R rating.

Not only will there be a new R-rating, but the NC-17 rating may be eliminated. The hardcore rating limits film distribution and advertising on television, so the organization wishes to lump anything that is extremely graphic in nature under the new hard R-rating, with hopes that audiences, exhibitors, and advertisers will embrace it more than the much-feared NC-17.

I feel a little torn on this issue. Apparently, the new hard R-rating is the result of parents complaining that their children are being exposed to graphic content in R films. First off, the film is rated R, which means that the content is not appropriate for those under 17. Parents who choose to allow minors to watch these films have been warned to be cautious. Secondly, R-ratings currently contain little descriptions indicting the nature of the content–anything from drug use to angry sex to graphic conversations. Finally, if these descriptors prove to be too vague, there is a wealth of information about the graphic content of movies on the Internet, from movie reviews to the MPAA’s website to Yahoo’s Movie Mom. Therefore, my question is whether or not a new R-rating will stop parents from complaining. Teens will be teens, and they will always figure out ways to see hardcore content. While the rating system is useful, it will never magically babysit kids.

On the other hand, I am happy to see the elimination of the NC-17 system. Yes, it can be affiliated with the cult disaster known only as Showgirls, but the rating has also sunk potential pictures like a rock for miniscule details. It has also locked its sights on unconventional sex rather than violence. It will be nice to see art house gems such as Bad Education not being ostracized like a sleazy snuff film.

What do you think? Does the MPAA need a new R categorization, or will people complain about it anyway? Are you ready to see NC-17 get tossed aside, or does it still serve a useful purpose?

People at SXSW: Bob Ray, Werner Campbell (Hell on Wheels)

Paul Moore
By Paul Moore posted 2 years ago
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In 2001, some punk ladies in Austin sparked a revival in Roller Derby. Hell on Wheels is their five year journey from fun loving friends to national sensation. Paul talks with filmmakers Bob Ray and Werner Campbell.

 
 Standard Podcast [6:23m]: Play Now | Download

Can “entertainment guilt” breed better discussions?

By posted 3 years ago
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I just read Marie-Claire’s entertainment guilt “confession,” (in the form of a comment on our blog) and loved it. I can completely imagine myself in the same scenarios.

But it got me thinking about Munich, the film that sat unwatched on Marie-Claire’s coffee table for more than a month. I have a relationship with Munich that’s different from Marie-Claire’s. I’ve actually seen it twice. (OK, I know Paul and some others who have very little affection for the film are cringing at the thought. Get this: It was actually up for trial in the spout.com Worst Movie Ever group. Harsh. But I digress.) The first time I saw Munich was in the theater, with my dad, brother, and uncle, who were all home for the holidays. We went pretty much because we wanted to go the movies and it was the best thing showing that none of us had yet seen.

The second time I saw Munich, just recently, I rented it because my boyfriend, Jason, and I had been talking a lot about Israel and I wanted him to see the movie as additional fodder for our conversations. Of course, it isn’t a documentary, but I still think it provides an interesting look at some history of the Jewish state, the people’s deep sense of pride, and their efforts to protect their community from getting walked all over. Jason and I ended up having a really good discussion about the difficult political and cultural situations they’re finding themselves in, yet how violence begets violence, and doesn’t solve problems.

So this is what I ended up wondering about, in regards to the “entertainment guilt” concept: Do the films we end up seeing as a result of an “I-should-really-see-this-even-if-I’m-not-in-the-mood” attitude end up feeding more interesting thought and discussion than the films we tend to feel like seeing? If so, should we discipline ourselves to watch these more difficult films as a part of our continuing education? Can anyone think of a purely fun, entertaining, easy-to-watch film that spurred some great discussion? I’m sure there must be some, but I can’t think of any right now…