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10 More Cool Old Man Protagonists for the UP Fan

10 More Cool Old Man Protagonists for the UP Fan

Christopher Campbell
By Christopher Campbell posted 5 months ago
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Last month, a New York Times article focused on the Wall Street worries over Pixar’s Up. The film lacks commercial appeal, apparently, because it features a 78-year-old protagonist. This is no country for old men (on the big screen), claim the experts. “We doubt younger boys will be that excited by the main character,” says one analyst quoted in the piece.

Even if kids were that anti-elderly (and we don’t believe they are), we can point to many other accessible elements of the film, from talking dogs to a young co-protagonist who serves as an identifiable gateway for adolescent viewers, that allow the target demographic to enjoy the animated film in spite of the cantankerous codger at its center.

Chances are, though, the little ones will also enjoy the character of Carl Fredricksen (voiced by Ed Asner), maybe enough for them to seek out their own elderly person to assist (whether or not its for a merit badge). We’re hoping that it additionally leads to a greater cinematic appreciation of old men. But not just because, as Alonso Duralde writes at MSNBC, we have a shortage of realistic films about old folks. Rather, primarily because we think there’s a number of other old man protagonists that young audiences would like. Meet ten of them after the jump.
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10 Posthumous Oscar Nominations That Should Have Been

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Though I first buzzed about an Academy Award nomination for Heath Ledger in The Dark Knight more than a month before his death, I now want to take it all back. I feel all the talk of Ledger’s posthumous Oscar chances will cloud my mind when I finally do see it, and it will probably also cloud the Academy’s judgment, too. Six months from now, when the nominations are announced on January 22 (coincidentally the one-year anniversary of Ledger’s death), if Ledger is not recognized for his role as The Joker, there will surely be an uproar — actually, Hollywood might just up and self-implode.

I’m not the only one annoyed by all the Oscar buzz. Terry Gilliam, who directed Ledger in The Brothers Grimm and the upcoming The Imaginarium of Doctor Parnassus, is calling “bullshit” on the whole thing, particularly against Warner Bros., which Gilliam accuses of exploiting Ledger’s death and chance of a posthumous Oscar for publicity purposes. Considering most Oscar campaigns for live actors are really just part of movie marketing, he has a good point.

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The Children of Huang Shi Trailer

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Don’t be fooled, now. This film may look like a beautiful, epic piece of cinema, but that’s likely only because it was shot by Xiaoding Zhao, whose relatively short cinematography resume includes Zhang Yimou’s House of Flying Daggers (for which Xiaoding received an Oscar nomination), Riding Alone for Thousands of Miles and Curse of the Golden Flower (he was also a cameraman for Yimou’s Hero). So yeah, The Children of Huang Shi will certainly be a good looking film, but notice who the director is. That’s right, Roger Spottiswoode, a guy whose worst film is difficult to decide upon. I’d say it’s a toss up between The 6th Day and Stop! Or My Mom Will Shoot. I’ve never seen Terror Train, though. That one sounds like a contender.

Another thing this film does have going for it is the Oscar-winning producing skills of now-81-year-old Arthur Cohn. He’s had a pretty great career, having partnered with De Sica on his later films, including the The Garden of the Finzi-Continis, and having had the honor of seeing that film and Jean-Jacques Annaud’s Black and White in Color and Richard Dembo’s Dangerous Moves all win the Academy Award for best foreign-language film (other of his productions that were nominated in the category include Walter Salles’ Central Station and Christophe Barratier’s The Chorus). As for his own, recognized and credited Oscar glory, he’s won three out of his four nominations in the documentary category (for Pierre-Dominique Gaisseau’s Le Ciel et la Boue, Barbara Kopple’s American Dream and Kevin McDonald’s One Day in September; he lost with Dieter Hildebrandt’s The Yellow Star).

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