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Critical Cavalcade! SpoutBlog Week In Review

Karina spent five days in Queens bemoaning her future job prospects discussing the future of film criticism. See the A.O. Scott piece, the Molly Haskell/Andrew Sarris piece, the quiz, the answers to the quiz, the piece about compromises. Also, Kevin considers the new pro-critic model, and bad critics are punished severely.
Marilyn Monroe has a sex [...]

Bad Voodoo’s War. Clip of the Day.

Deborah Scranton’s follow-up to THE WAR TAPES is watchable online.

Moving Image Institute: Andrew Sarris & Molly Haskell

The legendary coupled critics talk feminism, Kael, and how the war on terror made the rise of Judd Apatow possible.

SXSW 2008: Stop-Loss

A review of one of the most anticipated films of SXSW 2008, Kimberley Pierce’s STOP-LOSS.

SXSW 2008: Tony Gerber and Jesse Moss of Full Battle Rattle

2008 SXSW Special Jury Prize winning documentary Full Battle Rattle manages to find a unique way to examine the War in Iraq. Rather than bring their cameras into an actual war zone, they decided to look at a simulated war zone, the U.S. Army’s training facility in the Mojave Desert. I talked to directors Tony [...]

 
icon for podpress  Full Battle Rattle Interview [6:40m]: Play Now | Play in Popup | Download (233)

SXSW 2008: Full Battle Rattle

Review of FULL BATTLE RATTLE

True/False: Gonzo

Alex Gibney says his Hunter S. Thompson doc is a critique of the present day media’s obsession with “phony” objectivity.

FilmCouch #58 - Michel Gondry (Be Kind Rewind)

Interviewing Michel Gondry (BE KIND REWIND) about his “contradictions.” Also, will Diablo Cody survive Oscar night?

 
icon for podpress  FilmCouch 58 [32:46m]: Play Now | Play in Popup | Download (1070)

Stop-Loss at SXSW

Is the problem with Iraq movies that “realistic as hell” characters make bad movie heroes?

Michel Gondry + Bjork = Bjored. Clip of the Day.

This is Michel Gondry’s video for Bjork’s Declare Independence. It’s okay. It kinda has the feel of a musical number from Dancer in the Dark, except shot with a more expensive camera, and instead of Catherine Deneuve dressed like a factory worker, there are soldiers bopping around on strings. I actually kind of prefer the [...]