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What Just Happening. Trade Roughage 06/11/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • It’s been all-but-confirmed for awhile, but thisVariety story nails it: Magnolia will self-distribute What Just Happened?, Barry Levinson’s Hollywood satire which the studio produced through 2929 Entertainment but were hoping to unload at either Sundance or Cannes. “There were offers,” Eamonn Bowles told Anne Thompson, “But we can make more money doing it ourselves.” They’re planning a platform to medium-wide release for October.
  • Brazillian novelist Paulo Coelho is a MySpace addict! But at least the one-hour-a-day user has found a way to funnel his obsession into something productive: he’s planning to “‘curate’ a Web-generated film based on The Witch of Portobello from MySpace video and music submissions.”
  • Warner Brothers says Speed Racer wasn’t *that* much of a disaster after all––toy sales have apparently been “comparable to the last Batman.”

Do Web Filmmakers Need Rules?

Karina Longworth
By Karina Longworth posted 2 years ago
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lonelygirl.png

Over at the Filmmaker Magazine blog, Scott Macaulay has posted an excerpt from the Lumiere Manifesto, a project inviting video bloggers and web filmmakers to create one-minute works inspired by early-film pioneers the Lumiere Brothers. The Manifesto is quite Dogme 95-esque in its call for aesthetic and technical restraint. There are six basic rules: no audio, no editing, no effects, no zooms, all cameras must be fixed and all Lumiere films must be 60 seconds or shorter. Calling these guidelines “arguably the natural limits of the original Lumieres,” Manifesto authors Andreas Haugstrup Pedersen & Brittany Shoot elaborate:

Online video has now for years allowed the advancement of personal narratives and showcased the world through the eyes of other video producers. At best, we display an edited view of our worlds. At worst, we destroy important viewpoints through unnecessary editing. [...] We believe it is imperative that the filmmaker meets the world at eye-level and not from above. That is to say, life should be filmed as it happens on its own premise without any additional intervention. Only by opening the self to our surroundings can we be at the right place at the right time.

The quest for filmed truth is a noble goal, perhaps, but the manifesto itself is just so stiff and humorless. And is it even necessary? More thoughts after the jump.

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