When I first heard yesterday that Henry Gibson had died of cancer, I felt like I was alone in my mourning. But a day later, the film blogs have paid him due respect. And it being a slow news day, I’m devoting today’s Bloggery to this great character actor, despite the morbidity of having more than one obit/tribute roundup in one week.
I’m quite happy to see that many people appreciated the actor’s talent, though it makes me sad that he wasn’t given more and better work in his later years. Sure, he was still prolific in his TV and film appearances, but isn’t it a shame his role in Wedding Crashers is his most memorable of the past decade?
I remember the first time I saw and heard him in one of my now-favorite films Nashville. I couldn’t believe it was the same guy I primarily knew from Laugh-In and Joe Dante films. Maybe it was because I thought he resembled Teller of Penn & Teller, and so in spite of the villainous turns, I typically saw him as a sweet, cute, relatively silent and somewhat dopey-looking character actor. Also, his parts were usually pretty small.
In Nashville, though, he’s a central figure, one who feels far more real than any characters I’d seen him play before. Not that there’s anything wrong with his sillier roles. Check out this villain from an episode of Wonder Woman for why I truly love him. But the guy obviously had range, and I wish we could have seen more from him.
Check out some more memories of Gibson from other film blogs after the jump:
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Apparently three-time Oscar nominee Michelle Pfeiffer has been relegated to playing only “cougars.” The slang term has been used heavily to describe the actress’ latest character, a Parisian courtesan who has an affair with a pretty boy half her age (Rupert Friend). But just prior to appearing in Chéri, which reunites her with the Dangerous Liaisons writer-director team-up of Christopher Hampton and Stephen Frears, Pfeiffer starred in two direct-to-video releases in which she similarly ends up with a much younger guy. In Amy Heckerling’s I Could Never Be Your Woman she falls for Paul Rudd, while in Personal Effects she has an affair with Ashton Kutcher (ironic since Heckerling’s film takes shots at Kutcher’s marriage to real-life “cougar” Demi Moore).
The term “cougar” has some negative connotations, which is a shame given all the movies we see in which an older man romances a younger woman and think nothing of it. But it’s good to see Pfeiffer still getting work at her age (51), especially in roles celebrating the idea that older women can still be desirable. And in our opinion she’s every bit as desirable as she was at age 25, when she broke through with her sexy appearance in Scarface.
Below we spotlight ten other actresses/characters who’ve shown us that aging women can still be very attractive to young men.
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Today’s news that Summit Entertainment has already chosen a release date for Eclipse, the third entry in theTwilight series, suggests the studio is in a hurry. With New Moon, the second entry in the series, currently in a production surge under the direction of Chris Weitz for a November 20 release date, Summit’s latest decision raises the bar even higher, by placing Eclipse right in the heat of summer 2010’s blockbuster season. What’s the rush?
Former New Line marketing chief Russell Schwartz, whose resume includes a steadily successful franchise about hobbits and rings, offers one piece of advice for the newbies at Summit: Slow down.
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This past weekend, Saturday Night Live received a huge ratings boost thanks to the appearance of vice-presidential candidate Sarah Palin. But as much fun as it was seeing her act the good sport next to a jokingly critical Alec Baldwin, it only made me anticipate her inevitable feature film debut. I mean, did you notice she was the only person who didn’t need to keep reading from the cue cards? She’s a natural. And whether her ticket wins or loses the race on November 4, it’s certain that one day Palin will at least make a cameo in some kind of fictional movie, whether she means to or not.
So, as we wait for her to show up in a small part in the Coen brothers’ adaptation of Michael Chabon’s The Yiddish Policemen’s Union (both because she’s from Alaska and reminds me of Frances McDormand in Fargo), let’s take a look at some other politicians who’ve made interesting film cameos, some intentionally and some not.
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Bob Iger says
