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Diablo Cody and Her Fempire. Today in Film Bloggery 03/24/09

Christopher Campbell
By Christopher Campbell posted 8 months ago
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“When you read a screenplay, it doesn’t come with a picture on the cover,” said Adam Siegel, president of Marc Platt Productions, a producer who is friends with all four women and has worked with all except Ms. Cody. “I know a few beautiful women, but none of them write like Dana, Liz, Lorene or Diablo.”

The above quote is the best part of a New York Times piece from the weekend that made me throw up a bit in my mouth despite how delicious it is (this happens a lot to me with Mexican food, but rarely Times articles, even those in the Sunday Styles section). I would have used it for the Bloggery earlier, but of course Nikki Finke was more important yesterday. Coincidentally, there’s something about this profile on Diablo Cody and her “Fempire” that relates to the Finke story, at least to how Jeff Wells responded to Kim Masters’ take, claiming that if Finke was a guy she never would have been attacked in such a way.

Similarly, Cody and Co. wouldn’t be written about if they were men. But more importantly, they probably wouldn’t have been written about if they weren’t such good-looking women. So, while there’s something empowering about this foursome of female screenwriters who each boldly wear an identical necklace with an inscription that reads “Fuck My Face,” it was quite necessary to include a lot of tantalizing quotes about them seeing each other naked and sometimes being “super porno” like. And of course that double-edged quote from Siegel above. And another condescending (to men and women) bit from the piece’s author, Deborah Schoeneman, describing Elizabeth Meriwether (scribe of the upcoming Friends With Benefits) as “a thinking man’s Scarlett Johansson.”

If you recall, some had believed Cody only won so many awards from critics and peers because of what she looks like (and the profession she used to have). So, perhaps Oscar nominations should have also gone to Nick and Norah’s Infinite Playlist and What Happens in Vegas? Related, would this article have been as interesting if the “Fempire” included Cody’s less-hot Oscar competitors Tamara Jenkins and Nancy Oliver?

More reactions to the piece from others from the last few days after the jump:

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Hardwicke Off Twilight Sequels. Trade Roughage 12/08/08

Christopher Campbell
By Christopher Campbell posted 11 months ago
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  • In a huge blow to women in film, Catherine Harwicke was officially announced to be exiting the Twilight franchise after a weekend of rumors. Summit Entertainment’s press release politely claims the decision was rather mutual because the first sequel, New Moon, is being rushed into production yet Hardwicke desired more prep time. Gossip in the blogs, however, says it had more to do with the director being difficult during the first film’s shoot. Whatever the reason, Summit will be pressured to hire another female filmmaker. I bet Lexi Alexander could use the gig after her miserable weekend.
  • Alexander’s Punisher: War Zone “fired blanks” at the box office over the weekend, placing 8th with only $4 million, which was less than a third the opening of the last Punisher in 2004. As for other new releases, Cadillac Records grossed $3.5 million, though on far fewer screens, and Frost/Nixon made $180,000 from only 3 locations, earning it a per-screen average of $60,000! And from a mostly 35+ audience. Four Christmases kept its top spot on the box office chart with another $18 million.
  • In foreign box office news, Madagascar 2 finally knocked Quantum of Solace off its throne. The Bond installment enjoyed five weeks at #1, internationally, but animation is evidently quite popular overseas. Just look at how Chinese authorities are treating their country’s opening of Bolt 3-D.
  • Due to the troubled economy, a number of producer deals at Paramount and Universal will not be renewed, including that of the prestigious duo of Kathleen Kennedy and Frank Marshall. Though The Hollywood Reporter claims the producers will continue prepping Jurassic Park IV at the studio, ComingSoon.net just heard from them directly that the sequel has died with Michael Crichton’s recent passing.
  • Uwe Boll and Luke Perry could be a craptacular match made in heaven.

What Just Happened? To Cannes Trade Roughage 04/17/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • what just happened?Barry Levinson’s meta Hollywood comedy What Just Happened?, which premiered at Sundance to a chorus of shrugs and remains undistributed, had been selected to close the Cannes Film Festival.
  • SAG has announced nine interim deals with indie production outfit The Film Department, in an effort to put pressure on the major studios to settle on a new contract in advance of a threatened strike. Variety says the studios are “unlikely” to be scared enough by the prospect of Catherine Zeta-Jones going back to work without them to be moved into immediate action.
  • Women in Film, “a non-profit organization dedicated to helping women within the entertainment, communication and media industries,” will honor Salma Hayek, Diane English, Ginnifer Goodwin and Sherry Lansing at their 35th annual awards ceremony in June.
  • The title for the long-awaited (apparently; if you’re acquainted with an awaiter, let us know) X-Files movie sequel has finally been released. The X-Files: I Want to Believe opens on July 25.

Sweeney Todd For Xmas: Trade Roughage 08/28/07

Karina Longworth
By Karina Longworth posted 2 years ago
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  • Dreamworks and Paramount have decided to open Tim Burton’s Sweeney Todd wide on Christmas weekend. The original plan was to open on a couple of screens December 21 and then go wide three weeks later, but the studios, apparently convinced that Johnny Depp’s demon barber could have the appeal of a singing, cannibalistic Captain Jack, think Burton’s Sondheim adaptation has holiday weekend written all over it.
  • “Owen Wilson’s emergency hospitalization and recovery are throwing a major monkeywrench into production of two movies and causing marketing headaches for two more,” writes Variety’s Tatiana Siegel. It seems like a fair thing to  speculate, but the only studio rep who would go on the record dismisses the line of inquiry as “totally inappropriate at this time.”
  • Another day, another set of amazing sidebars announced by the New York Film Festival. This time, it’s a series of “dialogues” with directors Julian Schnabel, Todd Haynes, Wes Anderson and Sidney Lumet.
  • Women in Film, in partnership with GM, have launched an online magazine for/by/regarding females in the film industry. It’s called Traction, and you can find it at wiftraction.com

FilmCouch #32

Paul Moore
By Paul Moore posted 2 years ago
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An artist takes on the remake of a canonical film by opening up the creation to the YouTube generation. Interviewing artist Perry Bard who is calling for people everywhere to shoot pieces of their lives to remake Dziga Verdov’s Man with a Movie Camera (1929) shot by shot. Also, Karina Longworth gets personal about Broken English (2007) starring Parker Posey, Gena Rowlands and directed by Zoe Casssavetes. We also discuss The Gleaners and I (2000).

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