While watching Zack and Miri Make a Porno, it is possible to occasionally forget that you are watching a Kevin Smith movie. Mainly because he doesn’t show up in the film, a rare and appreciated move for the guy who has played “Silent Bob” in 6 out of the 8 theatrical releases he’s directed. Then there’s the cast that is involved, which makes Z&M seem like the offspring of Judd Apatow and John Waters. But there are a number of things that do make it clearly a Smith joint, such as the obligatory employment of Jason Mewes — in the role he was born to play, even moreso than “Jay” — and the potentially pitying use of Jeff Anderson, who may have been the only actor to agree to receiving that accidental Hot Carl.
And then there’s the most recognizable element: Smith’s inability let the poop jokes go in order to concentrate on his characters, and the relationships between them. It’s the filmmaker’s Achilles heel, and it’s one of five we at SpoutBlog have noticed are holding back the esteem of five would-be better directors.
With Halloween dragging the weekend box office down by over thirty percent, High School Musical 3 took the top spot with just $15 million. The Weinstein Company says Zack and Miri Make a Porno came in second with $10.7 million, but rival studios say that projection may be inflated.
MSNBC Films has picked upWitch Hunt. The documentary, which premiered at Toronto and is narrated by Sean Penn, willhave an Oscar qualifying run and then air on TV next year.
Variety has picked up the “Joaquin Phoenix is quitting movies” story. They’re running an AP item which says the actor, who showed up to Saturday’s Two Lovers premiere at AFI with the phrase “good bye” written on his knuckles, confirmed to reporters that he’s leaving the business to “focus on music,” and promised, “I will emotionally impact you with that, as well.”
Movie posters have become increasingly more controversial in the past decade, or else people have become a lot more sensitive. Either way, it seems like there’s a new and controversial movie poster or billboard being banned somewhere. Usually it’s for one of two reasons: sex or violence, with violence being far more popular. One of the first sexually banned posters I could find was 1981’s For Your Eyes Only, which featured an A-frame design that was banned. It wasn’t so much the vaginal roof as it was the exposed buttocks, so they had to release a retouched version that covered more derriere.
It’s been more than 25 years since that poster was sent back to the drawing board, so why do posters keep getting banned? Marketing people know that controversy can turn into a marketing campaign of its own, so maybe they’re pushing the boundaries in the vein of “there’s no such thing as bad publicity.” With that in mind, here’s a look at controversial movie posters from the past several years. Prepare your innocent eyes and take a look after the break.
It’s a tired gag, but filmmaker Tony Kaye (American History X) has fun with the “it’s not what you think” shtick and manages to make it work better than normal. However, whether it’s actually thanks to him or to the ever-lovable Elizabeth Banks and Seth Rogen is unclear. What is clear, at least, is that this promotional video for Kevin Smith’s Zack and Miri Make a Pornois probably too good for the feature film it’s linked to. Kaye is the one who should be releasing his eighth movie, while Smith should be the one making experimental non-commercials for him.
The other thing I have to say about any promotional materials for Zack and Miri is this: more Darryl Robinson! That man is comedy gold, and while the poo in the toilet joke in the trailers is funny, it’s mostly Robinson’s bits that have me interested in this movie. And I hate the idea of wanting to see another Kevin Smith flick after Clerks II, so for anyone to make this seem appealing to me is worth his weight in gold.
Believe the hype––at least, to a certain extent. Zack and Miri Make a Porno is Kevin Smith’s all-around high score for the current decade, and as a date movie for the demographic looking for a formula of 5% genuine romance underneath 95% poop and dick jokes, it’s way more fun than the film that made Seth Rogen a plausible leading man, Knocked Up. But what’s really exciting about it is its seemingly autobiographical subtext referencing Smith’s own career –– which, unfortunately, is thrown in the flaming trash can of traditional romantic comedy in the film’s final twenty minutes, but which nonetheless makes Zack and Miri seem more heartfelt than any View Askew production since Chasing Amy.
In a working class suburb of Pittsburgh, in the midst of a realistically icy, muddy, shitty winter, lifelong best friends and roommates Zack (Rogen) and Miri (Elizabeth Banks, finally proving to me that she’s a different person than Rachel McAdams) work menial jobs and are nowhere near being able to pay their bills. It’s the night before Thanksgiving, and all through the town, everyone’s bitter and desperate to get laid. (Side note: it’s interesting that Smith, currently at his most bloated in memory––before the film, he thrilled the crowd with a story of being so fat that he broke a toilet––has made his most convincing film about the frustrations of being skint.) At their exceptionally depressing high school reunion set to the pop hits of 1998 (Marcy Playground and MASE, finally playlist bedmates once again), Zack and Miri discover from a former classmate’s porn star significant other that they (and Miri’s pair of oversized granny panties) have become accidental YouTube stars. Zack has an epiphany: if people are already looking at their asses on the internet for free, why not get paid for it?
Here’s proof that Kevin Smith is the old and busted comedy filmmaker and Judd Apatow is the new hotness. Smith is totally biting Apatow’s meta, viral-marketing shtick with this video starring Seth Rogen and Elizabeth Banks, which is meant to promote Smith’s upcoming movie Zack and Miri Make a Porno. It is also meant to parody the continuing string of “I’m Fucking So and So” videos (Sarah Silverman fucking Matt Damon, Jimmy Kimmel fucking Ben Affleck, Karina Longworth fucking Diablo Cody — oh wait, that last one hasn’t happened yet).
First of all, just casting Rogen and Banks makes Zack and Miri appear like an Apatow-movie wannabe. Then referencing Apatow’s films — the very premise of the video mocks the premise of Knocked Up and obviously it literally references The 40 Year Old Virgin and Apatow himself — builds up that appearance more. Mind you, I’ve never been a big fan of Smith’s work, but he has been around longer and should be more original than this. Right?
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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