If you’ve read this blog with any regularity, you’ll know that, as a work of stand-alone cinema, I am not crazy about Che. However, that doesn’t mean that I was anything but thrilled to hear that the Steven Soderbergh film sold out most of its weekend shows at the Ziegfeld in New York and the Landmark in Los Angeles. Here are five reasons why Che’s +$30k opening weekend per screen average is –– say it with me now –– Good For Cinema: