In a new interview with MTV, City of Ember star Bill Murray has called for the makers of Ghostbusters 3to introduce a female Ghostbuster. My first thought was that hottie who models the sexy Ghostbusters Halloween costume, but seriously it is a great idea. As long as the concept is to pass on the proton packs to a new generation, there really should be an actress in the bunch. And I’m not talking just a hot young flavor of the month who Hollywood thinks will get the teen boys in the audience (it’s Ghostbusters 3; they’re already sold). I agree with Murray that the main requirement should be a funny female.
However, instead of merely picking out one comedienne to appear in the sequel, SpoutBlog has decided to imagine a remake of Ghostbustersin which the entire team is made of women. So, here are some casting choices for a gender-reversed version:
Disney unveiled its through-2012 animation slate this week, with projects including “a sequel to Cars [and] an adaptation of a Philip K. Dick short story,” and a commitment to releasing nothing but digital 3D.
Blair Witch Project star and Beautiful Losers co-director Joshua Leonard will direct Danny Huston and possibly 50 Cent in Spectacular Regret, a Crash-esque drama about “four Angelenos struggling to overcome past events.”
Chloe Sevigny and Zooey Deschanel will star together in Divorce Ranch, a period indie written and directed by Michael Lindsay-Hogg and “set in Nevada just after WWII, when a quickie divorce could be granted after residency was established.”
The Playlist passes along word that David Bowie has recorded back-up vocals for Anywhere I Lay My Head, Scarlett Johansson’s Tom Waits covers album. The record’s producer, Dave Sitek of TV on the Radio, describes Anywhere as having a “‘cough medicine/TinkerBell’ vibe”––which, funnily enough, seems as good a description as any of Bowie’s performance as Andy Warhol in Julian Schnabel’s Basquiat.
In other indie-cred starlet-turned-pop star news, remember Zooey Deschanel’s album? Justin Wolfe, that smart-star who writes one of the blogs I mentioned in this post about The Hills, wrote an incredible post last week, in which he made the argument that, as “extension of their brand, from image to sound” the She and Him stuff as a Zooey Deschanel product is materially the same as Hills star Heidi Montag’s much-reviled first single. Check it out here.
Maybe I read too much Curbed, but it seems we’ve been having a lot of construction accidents in New York City lately (actually, the Daily News has also taken notice). So, while watching the new teaser trailer for M. Night Shyamalan’s The Happening, I couldn’t help but think about last Wednesday’s tragedy in Brooklyn involving a man falling 13 stories to his death. The trailer, which features construction workers throwing themselves off a site due to some strange “happening” that causes people to suddenly commit suicide, may hit too close to home for other people, too. A few blogs and forums have noted the similarity to the images of airborne jumpers/fallers from the World Trade Center on 9/11 (this wouldn’t be the first time Shyamalan made a 9/11 metaphor).
Now, I’m not the kind of guy to normally get sensitive about trailers unintentionally evoking tragedy (I thought it was unnecessary for trailers for The Coreto be pulled following the Columbia disaster, but I guess I’m heartless). But this one hit me differently. Maybe it’s because these accidents are more of an ongoing/continuing problem, and certainly I’m also letting my bias against most NYC real estate developers get me heated up. However, I don’t think the trailer should be pulled — no, I’d rather it be seen by enough locals who might also relate the imagery to the tragedies.
Zooey Deschanel is so adorable that even I––usually such a knee-jerk skeptic when it comes to Things People Think Are Adorable––have to just give myself over to her absolute adorability. The indie actress, who sang in Elf and recently in a teeny role in The Assassination of Jesse James, is releasing an album with M. Ward under the name She & Him this March. The two will be playing at SXSW on March 14; in the meantime, Stereogum has an MP3 from the album, for a track called “Why Do You Let Me Stay Here?” It’s totally 60s, like something Serge Gainsbourg would have produced, but a little less breathier and a little more garage-ier. Above: She and Him perform the Ricky Nelson classic, “Lonesome Town.”
Disney unveiled its through-2012 animation slate this week, with projects including “a sequel to Cars [and] an adaptation of a Philip K. Dick short story,” and a commitment to releasing nothing but digital 3D.
