• Yes. Sci-Fi Footloose meets You Got Served! Exclamation point. Actually, Chris Stokes’ Boogie Town probably won’t be as good as it sounds, but it is set in a ludicrous near-future New York City where dancing is illegal. So, kids start an underground “battle dancing” scene. Obviously, it’s also being labeled a “modern West Side Story for the hip-hop generation,” and it’s set in 2015, so hopefully there will be hoverboards. Then it would actually be better than it sounds. Anyway, Vivendi will release the film next summer.
• Another music-genre sci-fi/fantasy: Stephen Edmond’s Emo Boy comic book is being turned into a movie, which he’ll script. The property is described as “being in the tone of Napoleon Dynamite, Harold and Maude and Zoolander,” which is funny, because none of those movies are similar in tone at all.
• Hot off The House Bunny (and let’s pretend also Smiley Face), Anna Faris is set to star in two new comedy projects, one of which she co-pitched with Bunny writers Karen McCullah Lutz and Kirsten Smith. The untitled movie involves the Golden Age Hollywood plot of husband-seeking sisters. The other project, called 20 Times a Lady, is also about finding Mr. Right, though also concerns the non-Golden Age idea of “a person’s sexual quota.”
• Another hot romantic comedienne, Amy Adams, will produce and star in an adaptation of The Ten Best Days of My Life, which treads in the same kind of afterlife territory as It’s a Wonderful Life and Defending Your Life.
• The Dark Knight re-release has been slated for January 23rd, one day after the anniversary of Heath Ledger’s death, which is unfortunate for the celebrity death cult. It’s also one day after the Oscar nominations are announced, so it could be advertised as a “Best Picture Nominee.”

Zoolander, Ben Stiller’s 2000 fashion world spoof, has been doing consistently well on iTunes’ movie download-to-own chart. NewTeeVee’s Chris Albrecht wonders why. “Wait, what? An eight-year-old comedy is more popular than Ratatouille, Pirates of the Caribbean: At World’s End, and High School Musical (parts 1 and 2)?”

Apple hasn’t released demographic information, but let’s try to imagine, for a second, who might be willing to spend $10 on a legal––but DRM-heavy––movie download at this stage of the game. First of all, it’s gotta be someone who uses Mac products exclusively: students, artists, upper-middle-class nerds, aging hipsters, style-conscious parents, the curious rich, celebrities. Albrecht has screen caps of several recent iTunes top sales charts, and it’s clear from a glance that adventurous cinephilies don’t seem to be yet represented––but then, with the exception of a handful of classic titles, iTunes’ movie catalog doesn’t seem to be going for adventure. So let’s assume that the cool hunter Apple user is getting their movies elsewhere, and concentrate on the more middle-of-the-road aspects of the Apple demographic.

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